Communication Studies The University of Iowa College of Liberal Arts and Sciences Search

Communication and Dramaturgy:
20th-Century Visual Politics

36R:405 Schedule
1/6 Visuality, Epistemology, and Politics Read H, ch. 1
1/23 Class Project: The Mass-Mediated Inaugural*  
1/30 Poster Art and Politics Group Project:*
2/6 Political Dimensions of Photography

Read H, ch. 2

Group Project

2/13 Newsreels and Political Depiction Group Project
2/20 Documentary Film I: Otherness Read H, chs. 3-4
Group Project
2/27 Documentary Film II: Governmentality Group Project
3/6 Documentary Television Group Project
Week of 3/13 spring break. Nail down your final project! (And then rest··)
3/20 Politicizing Gender: Masculinity Read H, ch. 5
Group Project
3/27 Politicizing Gender: Feminity Read H, ch. 6
Group Project
4/3 Specular Politics Today I (Institutional) Group Project
4/10 Specular Politics Today II
(Image Events)
Group Project
4/17 Web-Based Politics Group Project
4/24 Seminar Presentations for Half of the Class: Prepare a one-page handout and short bibliography for everyone
5/1 Seminar Presentations for Half of the Class: Prepare a one-page handout and short bibliography for everyone
*The availability of a great specular political event this week demands class work: the inauguration of George W. Bush and its televisual presentation needs this class's attention.
Events:
  1. The Thursday opening ceremony (afternoon, begins at 3 p.m.)
  2. The Friday morning Constitutional Hall event (First Lady, begins at 9 a.m.)
  3. The Friday celebration of veterans (Cheney, begins at 2 p.m.)
  4. The Friday concert for youth (begins at 3 p.m.)
  5. Saturday morning re-inaugural events (not sure of starting time)
  6. The inauguration ceremony (begins at 11:30 a.m.)
  7. The post-inauguration activities (principally parade, begins at 1:30 p.m.)
  8. Coverage of the evening balls (not sure of starting time)
  9. Maybe Sunday morning church service, etc., at Washington Cathedral (not sure of starting time)

** For the Group Projects:

 

  1. Divide up readings as well as you can.
  2. Work with Gronbeck to find/select materials for class exhibit and around which to structure conceptual and critical-interpretive ideas.
  3. Bring in a two-three page outlined report, with your names, description of any brief history of the medium you've pulled together, analytical categories you've used to take apart materials, citations to authors you've used in building those categories or offering interpretations, and whatever special problems you think need to be pursued in future research on the medium. Any information on archives or collections you learn about should be included.