Gerald L. Bruns: Poetic Communities

Matthew Rohrer: Dog Boy; Mongolian Death Worm; Morning Glory on the Roof

Cole Swensen: Shadow Puppets: Birds; Birds; Advances in the Form

Terese Svoboda: Morning Glory Harley

Cynthia Anderson: Baker's Helper; Dance Recital for the Men of the American Legion in April

D.A. Powell: [my lover, my phlebotomist. his elastic fingers circle my arm]; [because I were ready before destruction. bearing the sign of his affliction]

Bradley Paul: To Paraphrase; Mao's Melons; On the Circumstances Regarding Our Business

Marjorie Stelmach: Argument Against Our Temporal Agoraphobia

George Bilgere: Good Humor

Anthony Enns and David Banash: Introduction, Craft, Critique, Culture

Alan Golding: "Isn't the avant garde always pedagogical": Experimental Poetics and / as Pedagogy

Mark Levine: Writing It: Some Observations on the Poetics of Territoriality

Bob Perelman: Self-Portrait with Language Writing

Kevin Kopelson: Critical Virtuosity

Rebecca Clouse: Genre Bending with Cixous

Kass Fleisher: Scenes from the Battlefield: A Feminist Resists the Writing Workshop

Steve Tomasula: An Apology for Postmodern Prose

Roundtable: Craft, Critique, Culture

R.M. Berry: (from) Frank

Debra Di Blasi: Glauke's Gown: The Function of Myth

Henry Israeli: The Devil in Arcadia, Iowa; Actaeon in New Hampshire

Taj Jackson: Words and Licorice

Ruth Stone: Spring Beauties; Returning to the City of Your Childhood

Gabriela Maya: Dust and Joys: A Tale from the Alternative Archives

Robert Hanson: Actaeon in the Studio of Diana

Ed Hodson: Son of Man

David Francis: The Ear of the Sink

Bob Hicok: The Edge

Jesse Lee Kercheval: Not

Cover artwork by Alexander Gourlay