Kenneth Goldsmith
Kenneth
Goldsmith is editor of UbuWeb Visual, Concrete + Sound Poetry (ubu.com)About
UbuWeb
Concrete poetry's utopian pan-internationalist bent was clearly articulated
by Max Bense in 1965 when he stated, "
concrete poetry does not separate
languages; it unites them; it combines them. It is this part of its linguistic
intention that makes concrete poetry the first international poetical movement."
Its ideogrammatic self-contained, exportable, universally accessible content
mirrors the utopian pan-linguistic dreams of cross-platform efforts on today's
Internet; Adobe's PDF (portable document format) and Sun System's Java programming
language each strive for similarly universal comprehension. The pioneers of
concrete poetry could only dream of the now-standard tools used to make language
move and stream, distributed worldwide instantaneously at little cost.
Essentially a gift economy,
poetry is the perfect space to practice utopian politics. Freed from profit-making
constraints or cumbersome fabrication considerations, information can literally
"be free": on UbuWeb, we give it away and have been doing so since
1996. We publish in full color for pennies. We receive submissions Monday morning
and publish them Monday afternoon. UbuWeb's work never goes "out of print."
UbuWeb is a never-ending work in progress: many hands are continually building
it on many platforms.
UbuWeb has no need for money,
funding or backers. Our web space is provided free by an ISP sympathetic to
our vision. UbuWeb has happily rejected offers of up to $50,000 from businesses
wanting to buy our "marketable" domain name. We bought ubu.com from
a sympathetic party for $100. Totally independent from institutional support,
UbuWeb is free from academic bureaucracy and its attendant infighting, which
often results in compromised solutions; we have no one to please but ourselves.
UbuWeb posts much of its content without permission; we rip full-length CDs into sound files; we scan as many books as we can get our hands on; we post essays as fast as we can OCR them. And not once have we been issued a cease and desist order. Instead, we receive glowing e-mails from artists, publishers and record labels finding their work on UbuWeb thanking us for taking an interest in what they do; in fact, most times they offer UbuWeb additional materials. We happily acquiesce and tell them that UbuWeb is an unlimited resource with unlimited space for them to fill. It is in this way that the site has grown to encompass hundreds of artists, thousands of files and several gigabytes of poetry.