VOICES
from the
UNIVERSITY OF IOWA
Writing Center
Spring 2007
Edited by Matt Gilchrist
ÒAn Imperfect PaintingÓ Lisha Xu
nonfiction
ÒThe End of MarchÓ Bret Coons
fiction
ÒThe Travel of the TurtleÓ Yin-Yin Tsai
fiction
ÒThe WakeÓ Bret Coons
poetry
Ò# 5Ó Meg Tisinger
poetry
ÒPitching S l o w l yÓ Devin VanDyke
nonfiction
ÒThe AnnualÓ Charles Wolford
fiction
ÒHowling at the Mu,Ó ÒAmerica, to Lanston Hughes,Ó Matt Rinker
ÒHoly Foreigner,Ó Ò(To George Oppen)Ó
poetry
ÒThe Word is ÔFight! Fight! Fight!ÕÓ Mohamed Elkhair
nonfiction
ÒSnapshotÕÓ Elaine Anderson
nonfiction
ÒAlyssa,Ó ÒMichael,Ó ÒCoryÓ Derek Otte
poetry
ÒHair StoryÓ Hua Ou
nonfiction
ÒStory of a FireflyÓ Huike Wen
nonfiction
ÒCaptainÓ Sangdon Lee
fiction
ÒThe Flavor of HomeÓ Yin-Yin Tsai
nonfiction
Ò[Give and> Between <and Take]Ó Bret Coons
poetry
ÒCactus Pot of Full MoonÓ Gilsun Lim
fiction
ÒA Sudden Thought that Came to be Here Bret Coons
Only After More Madness Ensued FromÓ
poetry
ÒA ThornÓ Woo Jin Shin
nonfiction
ÒJust WantingÓ Craig Moreau
nonfiction
ÒThe Beauty of LanguageÓ Yuejuan Li
nonfiction
An
imperfect painting
Lisha
Xu
nonfiction
I was a quiet and unique child at
a very young age. I could watch two movies continually without falling asleep
at three years old, although I might have not understood them at all. I also cried when my mother took me to
kindergarten every morning. My mother grew tired of it and decided to leave me
alone at home, which cheered me up. I stayed on the bed all day because I was
afraid mice would visit me when I played on the ground. I played everything I
wanted by myself. Two things I did all day were playing doctor with my doll and
reading picture books with cartoon characters and fairy maidens thousands of
times. What I did next was copy these cartoon characters and fairy maidens. I
copied hundreds of characters in my picture books and fell in love with
drawing. Childhood offered me two things which I now love later in life: drawing
and movies.
My mother did
not allow me to enter drawing school because she thought it was not a skill
which could earn lots of money. What I could do is buy sketch book and draw in it
in my leisure time; however, I gave up this hobby because of heavy school work.
I did not touch
drawing anymore after that. However, when I was wandering in the Metropolitan
Art Museum, standing before MonetÕs paintings, I knew I loved them so much deep
in my heart, although I could not understand them fully without professional
training. As E. H. Gombrich said in his great book The Story of Art, ÒBut once he has succeeded we all feel that he has
achieved something to which nothing could be added, something which is right
---an example of perfection in our very imperfect world.Ó
I plan to take a drawing
course next semester to realize my childhood dream. And maybe one day I can sit
and paint an imperfect painting to describe the beautiful sunset in my heart.
The End of March
Bret Coons
fiction
Looking
down at his leg, Jim could see the blood start to ooze out from the fresh,
jagged cut. And more tears started to stream down as he looked back up to the
sky, whimpering in short sobs.
ÔI-I
canÕt-t fÉ feel it.Õ
ÔWe
arenÕt too far away now. Just hang in there man and IÕll fix you up.Õ
< >
Jim
was running to the schoolÕs swing sets where he knew his friends would be. It
always seemed like a great journey to him, a quest; a challenge that had to be
met. The wind was whipping through his hair while also managing to throw a
water fall of rich red and yellow colored leaves from the trees bordering the
school. The air was clean and crisp on his young face of seven years, but he
felt nothing but the rush of it all; the cold could never touch him here in the
school yard, where adventure was real and as tangible as the cold, wet ground
below his feet. Looking around he could see friends whose names he didnÕt know
and those that he still did. People from elementary school all the way to high
school but it didnÕt matter they all seemed to belong here and so he waved to
them all as he ran by. Teachers from every grade he knew appeared in front of
him along the path he was taking, smiling gently at him, seeming to admire
JimÕs grace and youth. He was feeling great, full of life, when suddenly the
mood changed. Looking up to the sky above him Jim could see dark gray clouds
racing across the sky with a terrible speed, telling Jim that his time was
running out. He ran faster and faster, wheezing on the cold air that once
seemed crisp but now was bitter and somehow old. Snow started to fall around
him and people started to walk away into indifference, but knew he had to keep
running no matter what happened; he couldnÕt stop if he wanted to. The snow was
coming down heavier, putting weight on Jim as it collected on his shoulders and
back. He looked at the people who had once waved at him walking away, farther,
farther, then one them fell to the white ground and disappeared, then another
and another, and Jim was still as far from his destination as ever. Fear
started to creep its way into JimÕs heart when he suddenly realized he was
twenty-six again. Once again tall and strong in form, but his speed stays the
same and he canÕt help feeling that his new size is only dragging him down.
Looking around again he could see all the trees were bare; the leaves that had
once filled the day were gone, gone from the trees and covered in snow. The
people who had waved, teachers, friends, the people of his life, were now being
cut down by globs of snow falling from the sky, hitting them with an insane
fury. Jim was losing time, but he was no closer. A large glob of snow hit his
back, shoving him face first into the snow and before Jim could get up he was
covered by snow, trapped and unable to move. In the distance behind him he
heard thunder roaring.
< >
JimÕs
eyes shot open and his muscles tightened.
{Ohh mannnÉ} Ð feeling his heart race Ð
{God IÕm hot and sweaty. Why am I wrapped up in this thick blanket? What time
is it? Where the hell amÉ? Oh GodÉ AH HELL} Ð pulling his arms out of the
blanket Ð {never thought a nightmare would be so welcome over reality. Screw
it; maybe I can still get some sleep. Goddamn it} Ð struggling to roll over Ð
{now what the hell is wrong here? ItÕs like my legs are stuck or somethingÉ}
Jim
stopped moving and just laid still listening to the storm outside thundering in
the distance. Mason was gone but that did not bother Jim much. He wanted to be
alone anyway. Staring up into the blackness above him helped to sooth his anger
and so did the smell of fresh wet soil from the storm outside. There was a
black plastic sheet hanging at the ripped opening of the cockpit where the
generators should be. The plastic that was probably a collage of garbage bags
kept most of the rain and wind out, at least from where Jim was. Jim tore off
his blanket and looked down towards his wounded leg and felt to see if he was still
bleeding from the cut. A bandage was wrapped tightly around his leg and he
could feel nothing that was wet, and just then as if to only confirm his
thoughts lightning flashed in the distance revealing a clean well wrapped
bandaged leg.
{Thank God for thatÉwell now what
to do with the two of you?} Ð looking at his legs. {Since my legs wonÕt move
themselves I guess IÕll have to move them if I want to get on my other side and
rest, no use cryinÕ looks like IÕll have to get used to it for now. I canÕt
wait to see a doctorÉ if I ever will, damn it all.}
Some
of the blanket was still firmly under Jim, so with nothing else to turn to he
grabbed the blanket tightly and pulled. Surprising himself, he was now
comfortably on his other side.
{Good. For once something works my way today. Now} Ð closing his
eyes without any thought of doing so Ð {to get back to that wondrously numbing
sleepÉ}
< >
ÔOhÉ
. . .
. .
.
.
god.Õ
Twenty
five feet in front of Mason, just outside the clearing made from the crash,
laid the biggest mystery/problem of his life as of yet. Mason always thought
that his life was screwed up and only getting worse, and so far the past few
days have only catered to his beliefs; but the dead animal that was hanging by
its hind legs with its neck cut wide open letting blood drain into a clay pot
beneath it was the last thing Mason had expected to find this morning, let
alone any time in his life. He was frozen with the image of the beast,
something that could almost resemble a boar if a boar had larger eyes and thick
black scaly skin. But it wasnÕt this that bothered him, nor did its huge teeth
and tusks. It wasnÕt the fact that the animal looked as though it weighed at
least five hundred kilograms and was hanging up side down that bothered him
either or that it had been gruesomely killed at the neck exposing puffy dark
red flesh. It was that ÔsomethingÕ had done it. That what ever he thought had
been following him last night might not have been hunting him, but watching
him, studying him. And that there must have been more than one of them to
string up the beast that hung before him so well. And even more than that, what
ever had done itÉ it was, intelligent.
[I canÕtÉ I canÕt.. i canÕt, I canÕt i cant
icanticanticantÉ iÉ] ÔMASON!!!
WHERE ARE YOU?Õ
[É huhÉ?]
ÔMASON!!!Õ crawling, pulling him self to
the opening of the cockpit.
When
Jim got to the opening he turned and saw Mason but could not see the thing that
had made him freeze in terror.
ÔMason!
Hey, what the hell is going on out here? Why were you screaming?Õ
ÔWhatÉ?Õ
in a raspy voice turning around toward Jim.
ÔWhat
is going on man!?Õ
ÔThereÉÕ
walking slowly towards Jim Ôthere is a dead animal out hereÉ and aÉ it looksÉ É
something killed itÉÕ
< >
There were flashes of ripping ferns, of
the pale sandy dirt and its wet earthy smell, of large sticks, huge gorilla
like arms covered in coarse long gray hair and clouds patched with a thin tree
canopy, of pain, of piercing screams both recognizable and foreign, of fierce
eyes and of very long teeth. Then there was only the ground and darkness
pouring in, corrupting the light, but neither Mason nor Jim really saw that.
In the brutal ambush and primal rage that
covered them in the form of the large hairy ape like animals, the images they
saw in those last moments were not of their attack, they were of images and
ideas that could only be shared by God.
The
Travel of the Turtle
Yin-Yin
Tsai
fiction
In a swamp, there were a variety of insects, trees,
ferns, and flowers. It was a warm and humid spring season. A turtle had just
laid thousands of eggs, and then went away. In several weeks, those eggs became
turtles and ate the shells. Meanwhile, some kids walked into the swamp. They
found the small turtles and caught them in a big paper box.
The next day, the kids sold the turtles in front of
the elementary school in order to buy new toys. A boy, Yu, who was tall with
glasses, asked,Ó How much?Ó
ÒIt is just two dollars!Ó the seller said.
ÒIÕm going to buy it,Ó the boy said.
ÒDeal!Ó
Taiwan is an island. The weather is humid and
comfortable except during the cold, windy period. Most people live in concrete
and steel apartments. In a big city, there are hundreds of families living in
the community area. In a town, they still live in apartments, but there are bigger
spaces to walk around and play outside. Yu lived near a big city at the forth
floor of the apartment. When Yu came home, he couldnÕt wait to tell his mother
about his little turtle.
ÒMom, mom, where are you?Ó
A tender voice came from the kitchen: Ó Oh, honey.
WhatÕs going on? You look so excited.Ó
ÒGuess what I have?Ó Yu put his hands behind him.
His mother put her arms in front of her chest and kept
smiling.
ÒOkay, look, here is a little turtle.Ó He showed the
animal in his hand.
ÒYu, you canÕt feed it. You are too young to take care
of a little turtle.Ó Mrs. Cho didnÕt think her son could nourish a pet.
ÒMom, I promise that I will never forget it and I will
take care of it, please, please, please!Ó the little boy begged his mother.
ÒFine, but donÕt forget your promise!Ó finally, Mrs.
Cho nodded her head, but she didnÕt believe that her son really could keep his
promise.
ÒOh Ya! My mom is the best one in the world, I love
you!Ó
The turtle was an infant. It had never seen its mother
before and was put in the human world. It had a home now, even though its
family was a different species.
Yu started thinking about what to name his new pet. In
a few minutes he said, ÒHmm, its color is green, so I must name it Green. Oh, I
almost forgot that Green needed water and a sweet home with delicious food!Ó
the boy murmured to himself. Green was as big as two quarters with light green
color. It was a very beautiful color as new as herbage. He looked for a small
bowl and some water grass. A sky-blue bowl with some colorful glass balls and
water grass was filled with clean water. Yu put Green in the sweet home. Then,
he moved the beautiful bowl next to the window in his room. At night, he had a
wonderful dream about his little turtle. Green couldnÕt sleep well because it
had a new home, neither big nor poor. ÒWow! This is my new home. I like it!Ó
the turtle thought before sleeping.
After
several months, Yu was tired of taking care of Green. So, he told his mother
that he was wondering about not feeding Green any more because he found some
more interesting things to do. Feeding the pet would take away from time playing with his
classmates.
ÒYou canÕt do that. Remember what you said the other
day. Boy, you have to be responsible. Green is a life, not a substance. If you
really donÕt feed it, you have to look for someone who would like to nourish it,Ó
his mother told him seriously.
ÒOkay, I will find a home for my turtle,Ó Yu answered
obediently.
After one week, he found that his cousin, Jane, could
take his job- caring for his turtle. Therefore, he sent Green to another
family. When he brought his turtle to a new home, he kissed the shell of the
turtle and said, ÒIÕm sorry, Green. I looked for a warm family for you and I
will visit you as much as possible. Take care!Ó Then he went away and waved
goodbye.
The
reason Jane promised to accept a turtle very easily was that turtles are
considered great animals in Chinese culture. Turtles are a long living animal
for Chinese meaning. Especially in elder peopleÕs birthday party, others would
say good words to them, such as- I wish you live as long as turtles. In
general, a traditional Chinese family is big, including parents, cousins,
uncles, grandparents, and so on. But JaneÕs family fell between traditional and
modern families, which meant her grandparents lived with one of their childÕs families.
Jane lives with parents, grandparents, and siblings. She is the youngest of the
siblings. Jane is an elementary school student, too. She likes animals and the natural
environment. Every night, Jane talks to and shares her secrets with Green. Jane
didnÕt care if the turtle understood what she meant. And Green seemed to know
everything because when Jane told it something, the turtle always raised its
head and stopped. She put the turtle in a red bowl. GreenÕs new home was bigger
than before. There was fresh air and some plants near the beautiful bowl like a
small pool in a balcony. For Jane, Green was a friend without judgments.
As time went by, Jane and Green grew up. She was a
high school student now. The turtle became as big as a hand. However, she had
to go live at her school except on the weekends. She could not care for Green
by herself. Thus she asked her sister, Lisa, to do her a favor.
ÒLisa, could you take care of Green? I am worried
about it.Ó
ÒI will do that. DonÕt be frustrated. Green will be
all right, until you come back on the weekendsÓ Lisa accepted the job
happily.
ÒWow! I am glad that you will do that for me. And,
donÕt forget to feed it regularly, one time per day. DonÕt put too much food in
the bowl. DonÕt forget to change the water twice a week...Ó Jane canÕt stop
telling her sister every thing about the little turtle.
ÒWait, wait, Jane, stop it. You are not going to leave
your lovely turtle forever. You donÕt need to mention every thing, all right? I
know how to feed Green. Also, it will be fine.Ó Lisa says her words loudly and
slowly.
ÒSorry, Lisa, I donÕt mean it. I just, I just, I just
feel a little nervous.Ó After considering for a wile, Jane remembered what she
thought.
ÒDear Jane, I understood how you feel. This is your
first time leaving home. Maybe it will be difficult at the beginning. However,
youÕll overcome it. Thus, I will keep you in my mind. Green will, too. When you
have trouble, you just call back home.
ÒThank you, Lisa. I feel better now!Ó
Jane started her career at the new school in
September. Meanwhile, Lisa fed the little turtle when her sister was admitted
to a private high school. In fact, Green was not small any more. Its original
weight tripled.
One morning, Lisa opened the door of the balcony and
said, ÒHallo, Green, see what I brought for you?Ó She had a new foodstuff in
her left hand. ÒWhere are you? Green? It is impossible. Green could not run
away from the big bowl.Ó She felt nervous and unbelieving. ÒHow come? It doesnÕt
make sense? Green is too small to escape from the bowl. Mom! Dad! Something
must be wrong!Ó She ran down the stairs and looked for her parents.
Lisa looked very worried. Mr. and Mrs. Tsai didnÕt
know what happened to the turtle. ÒDear, I didnÕt go to the balcony for several
days. Are you sure that the turtle was gone?Ó said, Mr. Tsai.
ÒAbsolutely! No one saw it before I fed it; I bet that
Green is hiding itself.Ó Lisa was calm now. She started recalling every thing
about the little turtle. ÒI got it! I got it!Ó Lisa screamed loudly. ÒDad, do
you remember that around a week ago I told you that Green can get out of the
little pool?Ó
ÒOh, I remember. You mean that Green probably went out
of the bowl and hid under the washing machine?Ó
ÒThatÕs it! So, I will take a flashlight in order to
search for the little turtle.Ó
ÒOkay, the light is on the table of my room.Ó
Lisa
carried the light back to the balcony and looked everywhere carefully. However,
she didnÕt detect any clue of Green. She felt frustrated and didnÕt know how to
explain to her sister that Green had disappeared suddenly. She cried and sat on
the floor.
After a while, Lisa made a decision. She thought that if
the turtle dropped from the fence of the balcony, she might have another chance
to find it. So, she asked her neighbor to open the back door. Then she ran
cross the narrow lane to look for her turtle. However, the door was rarely used
and the lane was full of dust and an awful odor. After she opened the door uneasily,
she opened her eyes and searched the ground carefully. The narrow lane was dark
and humid. There were some trash cans dispersed on the land and some wild grass
covered a part of the lane. She took a couple minutes in order to search
everywhere in the narrow and dirty lane. However, nothing else could she find
out. She felt as cold as winter. When she came back home, she could not eat
anything and went to her room. No matter how many times her mother called her
to eat lunch, she didnÕt give any response.
In fact, Green had dropped from the fence of the
balcony at midnight before Lisa found out it had disappeared. The turtle tried
to escape from the bowl every day and succeeded sometimes. When it went out of the
bowl, it moved its body slowly and went straight. However, the turtle didnÕt
know that danger was in front of it. So, while it walked several steps, it
couldnÕt keep balance and fell down from the third floor. It did not even have
chance to scream and to call help.
The shell of the turtleÕs back was strong so that it
survived the accident. More terrible was that it could not touch the soil with
its feet. Because the heavy shell hit the land, it weaved its shell to turn
around. Green began to set his neck and two of its fore feet upright in order
to turn around his whole body. Green tried the same motion over and over again.
Finally he did it. He started going forward. The turtle moved his body by short
feet slowly. In the darkness without stars, it crossed the big road safely
because there was no car passing on the road. Then Green took a rest, after it
passed the big road. The turtle stayed in the grass along the sidewalk. Meanwhile,
the sky turned bright without clouds. After taking a rest, Green kept moving on
step by step and didnÕt know where the right direction was. After all, he is
just a turtle.
Next day, the turtle walked into a marsh. There were
some frogs, insects, bees, and crickets in the bog. Everything was different
from its home. The wild world was more exciting, as if the turtle joined a
party. Green met some friends there. He ate some little living things in the
water. The little turtle attended a music party where the frogs and crickets
sang songs next to the marsh in the sparkle of the night stars. Although
beginning a new style of life is difficult, Green realized that he belonged to
the natural environment.
The
Wake
Bret
Coons
poetry
#5
Meg
Tisinger
poetry
Fingertips
have a conscience
the
memory of the distance between
points
ridges
rise to make
sense
of
first impressions
the
hand knows there is
something
here worth
holding
onto
Pitching
S l o w l y
Devin
VanDyke
nonfiction
Like
many Americans my only real contact with baseball or ÒsoftballÓ other than in
the distant memory of high school was watching major league pitchers on the
tele. As sure as I can recall
softball in the high schools of the dark ages I attended really meant the ball
was soft enough to catch with your bare hands. Why else would they call it softball? Physically speaking the harder the
ball-- the farther it will go. The
only way to make it go even faster and farther is by replacing the seams a
pitcher uses to grip, orientate his hand and spin the ball, is with dimples on
its surface like a golf ball. Ball
engineers actually use a computer to help define the best way to put those
dimples on the golf ball to increase the length of the drive. When I went to college awhile after
high school I discovered the balls were a lot harder, the bats were no longer
wood at all and came in many sizes-- all guaranteed to make it easier to hit
line drives at the pitcher.
In
the interim between my illustrious temporary-education-career-ending time spent
in high school and the time IÕm doing in Òcollege,Ó my only experience with
balls being pitched and hit was what I saw out of the corner of my eye on
TV. During the time between
graduating high school and college for me, the pitches in baseball went from a
fast ball of sixty MPH delivered by a guy falling off the mound to ninety MPH
and the guy being as graceful as a ballerina as he put his whole body into the
small, fast moving object the batter was expected to hit. And now they use a radar gun to see
just how fast that ball goes.
Softball evolved into one of two kinds: underhand fast
pitch and slow pitch. In baseball
the pitcher makes about three quarters of a revolution of his shoulder as he
thrusts the ball toward home plate.
In underhand fast pitch soft ball the pitcher winds his arm backwards a
half turn then forward a whole turn as well as having his entire body straight
up and down in alignment with the plate as well as perpendicular to gravity so
that all his energy goes more directly into flinging the ball at the
batter. None of the major league
need for grace to throw the ball fast with a side arm or overhead throw. The pitcher in fast pitch softball is
all lined up and throwing a ball as hard as a hardball but as an object, it is
appreciably bigger and heavier.
After
the politically-correct school had caused me so much stress that I
misunderstood the process of being on academic probation, I filled in credits
to meet the minimum requirement to earn a college degree by taking what are
called PE Skills classes. In these
studies the student gets to be part of a team effort and actually enjoy the
process of bettering themselves while receiving only a ÒpassingÓ or Ònot
passingÓ grade. As I recall-- and
I am sure can be confirmed by what can be re-animated by the computers memories
that save or delete e-mail-- the process of probation the first time I was on
it-- which was my second semester, required or was intended to give me, the
student, the impression that I had to make-up units deficient in order to receive
financial aid. What this
apparently meant is that, even though by a single glance at my transcript, it
was clear that I was having a hard time adjusting to a prestigious university;
I would need to take more classes in order to receive financial aid. Hoping for a brighter economic
tomorrow, I was in college in order to better myself or be qualified to have a
better paying job via receiving a four year degree.
Every
PE skills class from basketball to water polo requires you buy your own
equipment. I think of all my
sports equipment as souvenirs from the educational journey I undertook. For softball I picked up a used glove
and a pair of cleats for six dollars and fifty cents. When the glove started to come apart I tied it together with
rope and added a loop so I could hang it from my back-pack. Used equipment was in harmony with the
field we used because if I ran a string from second base through the foot-stops
in the mound area, to home plate, it would have been a zigzag line.
I
knew when I enrolled in the softball class that I wanted to pitch. This desire didnÕt evolve from wanting
to be the center of attention so much as it devolved from a simple quandary I
faced: If I was to be an
outfielder because of inability to efficiently field the ball I would have
either ended up standing on my head out of boredom or standing at attention
like a statue ready to field the ball.
The appropriate choice to me was to pitch-- I also felt as though it
would be a skill I could start out doing better than most of the
twenty-somethingÕs I went to school with and that it would be a skill I would
improve upon. I also felt as
though my natural charm, charisma and positive high-spirited attitude would
have a place on the mound.
When
I first started the class I wanted everybody to be happy, including the
opposing team. I learned how to
pitch so well that everybody was hitting the ball. The hard part was a simple dynamic about the physics of
pitching and hitting in softball:
if you pitch so it can easily be hit in the window of a minimum of six
feet in elevation and up to twelve feet in height while keeping it on the lower
end, the batters will hit the ball, a lot, and in so doing they will hit line
drives directly at the pitcher. I
was pitching strikes which went right over the plate and were about six feet
high that were coming right back at me.
Those first three weeks worth of pitches were easy to hit, as I was
making an effort to please my all my classmates, whether they were on my team
that day or not. I wanted
everybody to experience the joy of being successful at hitting the ball.
I am
one of those unusual students who will practice something just to become more
proficient. I got to class early,
stretched out and pitched four rounds of six balls each. In my ruminations and practice I had
theorized that in the rocket science of softball pitching, if I kept my pitch
on the high side of the allowable range of twelve feet on its way to the plate,
I would help my team win more. According to my experiments criteria to prove my
theory, the hit ball would more likely be a pop-up. I also learned how to throw an underhand back spinning ball
which will, when hit, most likely result in a high pop-up that I wonÕt have to
attempt to catch. The incentive of
practicing a backward spinning pitch was that I believed that if I executed the
pitch as perfectly as I was able, and it was a strike that was missed, it would
bounce on the plate, and its reverse spin would exactly counteract its forward
momentum and that as the batter had just struck out, the ball would be sitting
motionless on the plate waiting for him to go to the dugout. Needless to say by this time I had
learned about the concept, and the increase in joy associated with Òwinning.Ó
As
soon as I learned how to pitch well, and batters were consistently hitting line
drives at me, I decided I needed to figure out how to avoid a head trauma. At this point in time I started to
associate where over the plate I pitched with where the ball was being
hit. I learned at the expense of a
blond haired woman batter who was consistently swinging early and hitting foul
balls outside the third base line or right down the line. I asked the teacher about the apparent
connection between the third base line and throwing an inside ball as well as
what I had theorized about keeping the ball as high as possible on each
pitch. She confirmed that if I
pitched to the inside that, not only would the percentage of line drives drop,
but that the particular batter could be consistently gotten out by virtue of
the fourth foul being the one that makes a batter out. She also confirmed that the outfield
would be the recipient of a high pitched ball. At the same time I learned how to let my pitch drift to the
inside of the strike zone and closer to the batter, I was also learning how to
hit the ball better-- right down the third base line. I learned how to pitch better as well as how to hit better
vicariously from the blond girl being struck out on her fourth foul. I also learned that a good offense,
striking people out, was the second best way to defend myself from line
drives. The best way to do that
was to have a high degree of control over where the ball was going and to
change that frequently.
After
I figured out how to get the blond girl out consistently, and was learning to
hit better myself, I started to take a couple of practice swings with the bat
as I pitched my rounds of balls.
On one of my cycles, I dropped the bat and it landed in the middle of
the plate. I thought to myself
that since having the batter avoid contacting the bat was what led to the
gratification of winning, why not practice the opposite and use the bat as the
ideal target on the base? It made
sense to me to put myself in my enemiesÕ camp even though on some other day
they would be on my team and be my friend. I learned to pitch even better and more consistently and
learned to hit the ball where I wanted to. Now my own worst enemy would only be being too excited to
not quiet and ground myself by playing with the ball a little before each
pitch.
Some
of the hitters I faced were pretty good at hitting the ball and not getting out
very often. One guy would audibly
bang the end of the bat on the plate as if tempting me to hit him with the
ball. This was when I learned to
bobble the ball in my hand a little bit in response to his tapping the dust off
the bat before stepping up to the plate.
It could become quite a duel as to who has the last ÒwordÓ in, me with
my bobble, or the batter with his banging.
My
winning habit for pitching became twofold: first I always pitched at least
three balls as my team took the field at the change of innings. Some of the pitches would go completely
wild and some would be perfect strikes.
I had set a limit because otherwise I would have wanted to continue to
ready my self and would have become lost in practice mode. Had this eventuality occurred in the
absence of the deadline of a game, my positive frame of mind would have been
expended on the sheer delight of pitching strikes to the non-existent
batter. The other thing I did is
something I practice anytime I donÕt do as good a job as I am capable of
doing: I owned the pitches that
werenÕt picture perfect. To me
part of this behavior is serious, people should always own avoidable errors,
and part was just keeping myself aware and grounded in the reality of my innate
desire to have fun and whenever possible, Òwin.Ó
The
Annual
Charles
Wolford
fiction
II
The
smell washed over them immediately ÐÐ sweet, nasal, enticing, and through the
acrid haze a soft voice heralded them: ÒBecketÕs here.Ó
The
room was dim, bare. Behind Scott, the door shut to. Becket paused, a looming
silhouette. Scott made out one figure, seated in a metal chair. A smoking
cigarette slanted between his two languid fingers. His auburn hair was buzzed
close to his head, and he sat with his dark mushroom corduroys crossed as he
regarded Scott. ÒYou two look pretty,Ó he said. ÒDid you call each other before
you came? Coordinate the clothes, a favorite pastime?Ó
ÒYou
becoming Becket?Ó the first voice said.
ScottÕs
eyes were adjusting. He began to see six chairs circled beneath a pale, buzzing
light bulb, suspended on a scrawny wire. Five chairs were metal; two were
empty; only one was a lawn chair. Scott was aware that the motionless forms
were following him with their eyes.
ÒWhatÕs
the matter, freshman?Ó The figure with corduroys turned a bit, tapping his
cigarette. His feline hands were crossed on his lap. ÒYou look lost. WhatÕs
bothering you?Ó
ÒWhatÕs
up? WhoÕs here?Ó Scott said. He looked around, recognizing some vague faces.
ÒChris ÐÐ Zack.Ó Not knowing what else to do, his left hand gripped the back of
a chair in front of him. ÒMy, my.Ó Then he pointed. ÒWhoÕs this? WhoÕs your
third man, Becket?Ó
Lowering
himself into the last metal chair, Becket smiled. ÒEthan, Scott. Scott, Ethan,Ó
he said. ÒYou two should like each other. WeÕre all seniors here.Ó Through the
drifting smoke, BecketÕs eyes met EthanÕs. ÒExcept one,Ó he said. He looked
back at Scott. ÒMr. Legree here is already at Middlebury, just like our King of
the Hill. Waiting for Grant with open arms.Ó He made a suave, conclusive
gesture. ÒFathers consulted fathers. TheyÕve known each other forever. Old
friends. YouÕre a ÐÐÓ Becket looked back. ÒSophomore now?Ó
Ethan
nodded. ÒTell me about your friend,Ó he said.
ÒMy
good friend Scott,Ó Becket smiled. ÒWeÕve been friends for years. HeÕs
basically lived at my house these last few months.Ó Becket turned back again
and glanced up, patting the seat of the single lawn chair next to him. ÒSit
down, Scott. Sit here. Get blazed. YouÕre formally invited to smoke.Ó
Luke
was there, too. He sat to ScottÕs right. Leaning forward in the chair with his
elbows on his knees and his hands clasped in front of him, his face floated out
of the darkness and into the wan halo. Brushing a dark cowlick, he looked
shabby and gaunt. ÒBecket, Scott,Ó he nodded, acknowledged. His cheeks were
flaccid and sunken, but his triangle smile widened faintly, dimples rippling
away. Many sizes too large, a white shirt ballooned around him. Barely visible,
he seemed to sit at the bottom of the circle. He said nothing else.
Becket
slumped a little in his chair, his right foot on his left knee, and his right
shoulder thrown over the metal back, the arm dangling. ÒWhatÕs happened?Ó he
said. He looked around. ÒTaking a breather?Ó
Zack
shrugged. ÒBusiness,Ó he said. He sat across from Scott. ÒThis is our reception
room. WeÕre between appointments.Ó
ÒDeal
after deal,Ó Ethan said.
Becket
looked around, still smiling. ÒWell, good.Ó
A
pause.
Next
to Zack, Chris said, ÒLetÕs have a round of that weed.Ó
ÒYou
two all right to toke?Ó Ethan asked. ÒSmoke off a buzz?Ó
ÒAmen,Ó
Becket said.
The
joint was burnt halfway. Zack shifted, retrieving it from the floor with golden
tweezers. In a second, the pinched end flared a miniscule pyramid. Zack puffed
languorously. Smoke rose slowly around his face. Writhing in a brooding,
sensual dance, the coils sifted along the contours of his rigid chin and
cheekbones. ZackÕs face was lifted slightly into the light, so that the
drifting cream dissolved into pale petals just beneath his draining
eye-sockets.
He
breathed, drawled out pure pleasure: ÒShhhhiiittt,Ó softer and softer, until
the sound was only a whisper clinging to his lips. Holding the joint before his
glassy eyes, he turned the slim specimen slowly. He grinned. ÒDelicious. ThatÕs
high quality KB,Ó he said. ÒI taste like forty dollars in there.Ó He turned to
Becket. ÒGrant spoils us. How much you selling this? Twenty, I heard?Ó
ÒFifty
for two eighths.Ó
ÒDelicious,Ó
he admired. ÒIÕd buy that.Ó He smoked again, his face obscured. ÒThis is really
a treat. My compliments.Ó His foot touched the beer near his chair. Then he
looked at Scott, sidelong, interested. ÒA hit, Scott?Ó
Scott
grinned weakly. ÒWell, I ÐÐÓ he faltered. The light seemed brightest on him. He
was suddenly aware how his face might have appeared: the innocence of awe and
fear. It was as though in the mirrors of the surrounding stares he could see his
own flushed cheeks, his uneven sideburns, his fatuous eyes too close together.
The wave of blackheads studding his nose looked like countless strawberry
seeds. A thin rubber band circled his agile left wrist, and he began snapping
it without thinking. He blushed. ÒTempting, isnÕt it?Ó he said at last.
Zack
was looking at him.
Someone
exploded in muffled laughter, leaning back into darkness.
Scott
started to mumble, say something. Then Zack said: ÒYou do smoke, donÕt you?Ó
The whole group could hear. His voice was smooth, paced. ÒJust try it. Just
once.Ó Zack extended his arm. ÒSmoke that.Ó
As
ZackÕs voice faded away, Scott stared at it: the buzzing insect, hovering in a
chilled vortex, seeming to consider him, to float forward by its own volition.
That was all, the last image. Placing it demurely between his lips, he made the
motion, hearing someone nearby: ÒYep. There you go. Beautiful.Ó Scott smoked
vigorously, feeling it. He was immediately deaf, and for a moment blind, too.
His lungs seared with fire-ripped wings, and his head pounded faintly.
ÒJesus,Ó
he croaked. He coughed: once, twice, violently, retching a little. Someone
laughed. Not exhaling, the wisps still clung to his lips. Gasping, he snorted
the dissipating fumes harshly, choking with spittle. Blinking frenziedly, he
thrust his arm as far away as possible, and felt an invisible hand pluck the
joint away. To his left, Becket was slapping him on the back, saying, ÒEasy,
easy.Ó The rite was over.
ÒKeep
your shit down,Ó Chris warned. ÒDonÕt tear up on us.Ó
ÒItÕs
been a while,Ó Scott said.
Zack
spoke. ÒI hear youÕve been claimed for four years, Scott,Ó he said.
ÒYale,Ó
Scott nodded.
ÒThatÕs
what they tell me. ThatÕs beautiful. Very nice. A mighty Ivy.Ó Now something
edged his voice. ÒYou won, didnÕt you?Ó He was looking straight at Scott. ÒYou
special motherfucker.Ó
ÒZack.Ó
Becket passed. ÒNot everythingÕs a competition.Ó
ÒEverything
is a competition,Ó Zack answered. ÒSomeone always misses out. A known fact. So
you preserve what you have.Ó He had not switched from Scott. ÒYou understand?
ÔThe first shall be lastÕ?Ó He laughed. ÒA pretty story, but, alas, no. Who
gets ahead, gets ahead.Ó Beneath his slanted hat and the mushroom of shaggy
hair, the reptilian eyes were averted, roving. As always, his upper lip was
perpetually lifted. Raw red bumps swirled in static constellations upon his
greasy forehead. ÒA big roller,Ó Zack said suddenly. Then, turning back to
Scott: ÒTake it. ItÕs given to you, take it.Ó He leaned back. ÒAll that work does
pay off, huh, Scott? The way is long, the trek is hard, but youÕve pursued the
path into freedom.Ó He smiled invitingly. ÒNow play hard.Ó
ScottÕs
voice was clear and steady. ÒThatÕs what Adam used to tell us,Ó he said.
Luke
looked up. Smoking slightly and easily, his mouth filled with a condensed ball.
Dual jets emitted from his nostrils. With his head turned to Scott, he passed,
not seeing to whom. Thick scruffs of hair hung around his nape. A white pen was
slanted in place above his ear, and Scott noted, resting on his
paint-splattered jeans, his left hand: just below his thumb, four jagged
lacerations intersected a black scab. A slick orange crescent imprinted the
corner of his left eyebrow. His lip was scarred. Now they eyed each other
steadily, Luke and Scott, the old expression, absorbing and quiet. The room was
silent. Luke had been staring with dull eyes into his hands through most of the
time, neither speaking nor listening, but all at once he had snapped up. Gray
spears flecked his irises. Although he seemed to be wincing still, he nodded
resolutely. ÒThatÕs right.Ó There was something in his voice, guttural and
plain, the way he said it. ÒI remember that.Ó
ÒThatÕs
not how I remember Adam,Ó Chris interrupted. A container of guacamole and a
plastic bag of purple chips lay at his feet, and he was bent over, dipping.
ÒWhat about last year in class? Just standing there screaming and swinging and
shit ÐÐÓ
Becket
grinned. ÒYouÕre thinking of Grimes.Ó His shaved cheeks gleamed. ÒRemember when
he used to smoke with us? When we let him? That motherfucker used to choke to
death behind the church wall.Ó
ÒThat
kidÕs totally fallen off the radar for me,Ó Zack said. ÒIs he here tonight?Ó
ÒEverybodyÕs
here,Ó Becket said. ÒEven Scott.Ó
Ethan
adjusted. ÒHow do you like the Annual, Scott?Ó he said.
ÒItÕs
my first year going.Ó
ÒEnjoy
it. GrantÕs is usually good. ItÕs the best weekend of the year. And itÕs just
the first month, almost the second.Ó
ÒThis
is a crib,Ó Becket said. ÒI know all about this place. You could get lost on
the first floor. ItÕs a mansion. ItÕs ridiculous. EverybodyÕs here. HeÕs having
over five hundred. More. DonÕt put a number on it.Ó
ÒEverybody
goes just to have fun,Ó Ethan said. ÒTo completely lose themselves for a night.
TheyÕll love you, even if they donÕt know you.Ó
Scott
said, ÒWhy does Grant throw these?Ó
ÒCause
he can.Ó Ethan laughed.
III
Around
midnight the party began to peak. The three hours before were merely a steady
build-up of faces ÐÐ faces that brought lights, and with them drugs. But by
midnight they had arrived: all of the high school, showing up, dispersing,
complicating the baffling matrix of engagements. They knew the party was not
over, not yet half over, and the lambent roar of the house became invigorated
with the prospect of never-ending night. Now the smell of marijuana hovered
above the pool, and boys slung screaming, delighted girls out of the water and
carried them bodily through the open crowd-choked doors. It was easy enough to
find Grant ÐÐ although more difficult for Scott to catch up with his brisk
guide ÐÐ leaning against the dragon-snout of his car amid an adoring assembly.
He had been drinking in the interim. Alyson was not with him, he told them
immediately, because she had to call home. She was late, and her father was
furious. But Scott wasnÕt listening much. He was examining the car, the
shining, dangerous curves. Grant noticed.
ÒYeah?Ó
he smiled, shifted a little. ÒMy steed? You like my steed?Ó He gestured. ÒGo
ahead. Take a good, long look at this motherfucker. Get a sweet ÐÐÓ
Over
the polished hood, Scott lit a cigarette, his eyes roaming. Others stood near,
surveying appreciatively. Because he was watching his own face float on the
fascinating mirror, Scott could not see how Grant no longer heard anything
Becket was telling him. Still Becket talked at Grant, yet in GrantÕs mind the
voice had long ceased, just as all other sound and motion had not only stopped
but dissolved, washed away so that only a single tableau remained. His
expression utterly collected, he was looking past BecketÕs shoulder, near the
grotto. Something had caught his attention. Later, lying in fever on his dark
bed in the huge house, he would still be unsure if it was imagination or not
that she had looked back ÐÐ the amber eyes luring from across the water. It was
a girl. From this distance, she was gorgeous. With her round nose and curved
smile, her fair skin and red hair, a jagged ponytail waving above her lithe
shoulders, she resembled a Renaissance beauty, a Raphael or Botticelli, the
fluctuating light playing upon her vain features. She walked barefoot near the
grotto, steady, aloof, her eyes slowly combing the unfolding space. A slash of
fire was painted slickly across her brow. Grant watched her, her alabaster
hips, her swanlike neck, the faint freckles spread over her cheekbones, her
pronounced dimples and pursed mouth. At the moment that Scott admired an
instant longer, and then glanced back, Grant had already torn himself away.
Scott first saw that Grant was nodding to what Becket was saying, and then that
Alyson had returned: she stood gazing at her boyfriend with a look of moist
fawning. She had snuck up on him from behind, her hand lingering upon his peach
back, slicked with sweat. Her touch then crept lovingly around to the muscles
in his stomach, bulging above his narrow waist, and upward to his flat chest
broadly spanning the length of his shoulders. Gleaming, his torso was stocky
with a power kept in brooding restraint. Draping one arm sluggishly over
Alyson, he grabbed up a drink from the table. He chugged the beer and threw the
blue can onto the ground ferociously, stomping it with his foot. ÒTenÕs my
limit! TenÕs my limit!Ó he began shouting exultantly, and, grasping the neck of
a champagne bottle, mounted the MercedesÕ trunk and wrestled with the corked
end. The cap shot off, glinting and spinning, and a jet-stream of blue froth
burst bubbling. Soon the congregated audience was flailing wildly, their voices
climbed to a serene, joyous height. Pulling two Bacardi handles out of the
crowd, his heavy arms raised, Grant poured the spewing transparent liquid over
the mob clogging the end of the pool. He started yelling, pointlessly, without
words. Others took up the call: the ape-sounds resounded, clamored uproariously.
A vacant light possessed GrantÕs face. Swinging one bottle away from him in a
violent parabola, he drank from the other with frantic relish, before tipping
it over an underclassman girl, writhing and shrieking happily, baptized in the
opulent holy water.
It
was twenty minutes later that Scott left them, wandering to where, he was
unsure. He pushed through the overflowing crowds, the incandescent house,
stepping through a doorframe in a single stride. Soon he was in the kitchen,
noting strange details. Somewhere close by, a coke can was opened savagely. In
the sink, the skin-top of a lemon-disc floated in a soapy glass of gold-red
iced tea. On a cutting-board lay a red ballpoint pen with a bent, pulpy needle.
He kept moving. The microwave clock read a quarter till one. Leaving the
kitchen, he found his way into the front hall. The music had ceased for a
moment, and in the bright open space surged the dizzy confusion of a bazaar:
bodies and voices reeling with dreams, wishes, worries. The overlapping venn-diagrams
were whirlpools of shaking hands, surreptitious trades, rapid and businesslike
ÐÐ streams and eddies, currents, electric with a buzzing pulse: a compact
generator of smiles, shouts, kisses, faces relaxed, shocked, wide-eyed, all
swarming around each other in dense incoherence. The heads were countless:
never pausing, kneeling in corners, slumped on couches, packing the stairs,
blocking the doorways. Glittered, rouged, painted to perfection, girls wore
vacuous pilot-glasses, faded jeans, dangling earrings, wrapped in tasseled
scarves. Birdlike in slender flocks, seeking hugs, exchanging handbags, their
jaunty midriffs exposed, their voices in lavish imitation ÐÐ ÒHoney,Ó ÒBabe,Ó
ÒLoverÓ ÐÐ their hair help up above flapping hands. Pink heart stickers covered
the backs of silver cell phones. Flashing hoops hopped silently tickling their
necks as they walked, the two arcs engraved on their lower backs revealed.
Glances were gushing invitations, or spiteful contracts, used to penetrate and
extract, searching with a consuming intensity. Derisive and aggressive, boys
wore trucker hats and nice khakis, twirling long lanyards. They would
condescend with a nod, a quiet grin. They shook hands, squeezed shoulders,
their smiles easy, saying things like, ÒGlad to meet you, good to meet you,Ó
ÒBut hereÕs the thing, hereÕs the thing ÐÐÓ Above the rims of cups, their eyes
were officious. From the gaping mouths of baby robins poured forth the chatter
of money, profit, people: the wallets were out, the hands darting. Starry-eyed
freshman girls followed their senior dates, the hands leading to the staircase
that wound upward into the higher floors. ScottÕs eyes lifted. He knew the
sensation, was overcome, the secrecy: the farther inner hallways within the
house, the bedrooms lining the mazed corridors like a hotel. Locked and
lightless, the guest rooms would be full of the awkward grappling of limbs, the
steady current of breathing, quiet and enflamed, the risks of eyes among the
sheets. It was again the empty tale of love, the incomparable beginnings: the
fever uncertain and amazed, the terrified release of flesh ÐÐ tangerine lips,
milky breath, mouths and hair, the contours of faces ÐÐ while in a fervor of
speculation, foretaste, readiness, ingenuine smiles, the heart-arpeggios
drowned out the quick monologues. Even in the upstairs rooms, the house had
been stripped of most personal belongings. All jewelry, silverware, had been
boxed up, all family pictures hidden away. The computers were unplugged, the
bathrooms cleared of all but a bar of soap. Whole kitchen cabinets were
vacated. Expensive pottery could not be found. The collages on refrigerator
doors had been stripped to a white canvas. Still, the innumerable shapes that
passed through sought out files, tweezers, lighters, groping with glass
cabinets, shower-curtains, wrestling with locked cupboards. The floors were
teeming with an exhilarated physical energy, a sea of booming noise spilling in
and out of the entrances, winding up and down the stairs: urgent with lawless
possibility, haunted with transience, the air was sporadic, thick,
overwhelming. As wine-spills, cigar-ash, kicked-off muddy shoes, dirtied the
rooms, as bodies began rolling on couches, as the inside horizon swelled even
more with flowing tides, the mounting pressure pitched to an inconceivable mass
discord.
Howling
at the ÔmuÕ (for Kara Everset to Allen Ginsberg)
Matt
Rinker
poetry
I
How
is now any different? Exhausted I read 426 consecutive lines of hysterical madness as You
listened to Lester Young play 69 consecutive choruses Were you this
exhausted?
Moloch!
Moloch! You appeal to my mental tendencies Sell them back! Moloch! Moloch!
False god related to a plant a shrub a Bush The holy horde preached prayers
like a jingle Got drunk with
God and feasted on his kidÕs cadaver
I
howl at the ÔmuÕ on my knees Worn Exhausted Òunder the wartime/ blue floodlight
of the moonÓ hearing the Òbad musicÓ as Ashcroft
lets his eagles soar Eternity, Time, Alarm clocks, and the hedge plant successively successfully
fall on my head
ÒListening
to the crack of doom on the hydrogen bomb jukeboxÓ How is now any
different? Exhausted!
Listening to the smack of thronged disillusionment stuttering, foolish,
spiteful and wrong The impulsating cries of Iraq