8:462 Seminar in Cultural Studies:
Cyborg Culture
Course Times: Tuesdays, 6:30-9:30 PM, in EPB 216
Office Hours: Thursdays, 2:30-4:00 PM and by app't, in EPB 455
Phone: 335-0465 (office); 337-3364 (home); robert-latham@uiowa.edu (e-mail)
Required Texts (all at Prairie Lights Bookstore and on Library Reserve):
Also: Library Reserve Packet (texts marked below with asterisk)

Description: This seminar examines the theoretical and cultural currency of the cyborg (cybernetic organism) as a symbolic condensation of the promises and perils of posthumanist identity. If, as Michel Foucault argues in The Order of Things, "man"--that psycho-physical paradigm instantiated in the nineteenth-century human sciences (philology, biology, political economy)--is "an invention ... nearing its end," then the cyborg marks its point of disappearance and the simultaneous emergence of a new form of corporeality associated with the posthuman sciences--cybernetics, robotics, computer technology. This vast mutative transition finds potent expression throughout the theoretical and aesthetic cultures of postmodernity, and this seminar will, therefore, employ an interdisciplinary focus upon texts derived from diverse media in order to descry the psycho-social horizons of cyborgization. Our purpose will be twofold: 1.) to elicit the immanent logic of cyborg culture in terms of its sexual-economic-political normativity (what does it mean to be a cyborg in the bedroom? in the workplace? in the public sphere of civic responsibility?); and 2.) to establish critical standards to evaluate these norms without recourse to the waning verities of a moribund humanism (how can one be a feminist and/or queer cyborg? a labor-activist cyborg? a politically committed cyborg?). The syllabus is organized as both an historical survey and a series of important case studies, the animating focus throughout being on the social and cultural logic of automation in its industrial and postindustrial (cybernetic) guises. Automation, as a techno-social process, provides the theoretical and practical horizon for cyborg consciousness and possibility.
Requirements: The first obvious requirement is that you attend every class session. Because we will meet only once per week, and because the material we will cover builds cumulatively, missing class for any reason short of catastrophic illness or other major emergency is simply unacceptable. If you think you are likely to have trouble attending regularly, you should drop now rather than invite problems later. Moreover, you must be willing and able to commit a full three hours to each of our meetings. There will also be three video screenings during the semester--on February 20, April 3, and April 10 (all Thursdays), at 6:30 PM in EPB 107. Attendance is encouraged, but for those with conflicts, copies of the videos will be placed on reserve in the library's Media Center.
The next major requirement is that you do all the assigned reading and viewing, and come to class prepared to discuss it. I am committed to conducting this course as a genuine seminar, meaning that your consistent participation in communal dialogue--based on a focused and critical engagement with the course's issues, contexts, and materials--is absolutely essential to its success. An evaluation of your contribution to class discussion will form a major part of my assessment of your final grade.
Another major factor will be in-class presentations. Each class session will be divided into halves (with a break between them), and dialogue during each half will be kicked off by a student presentation. These presentations will involve two students each (for a total of four students per class session), and all students are required to participate in three presentations over the course of the semester. The purpose of the presentations is to initiate and orient discussion of the texts we have read in common, and thus presenters should focus their remarks on these texts and not ramble into digressions, introduce unfamiliar material, or otherwise wander off-topic. The particular focus can be expository (explaining some issue or implication in the texts), critical (arraigning the texts on the basis of factual or ideological problems), and/or quizzical (formulating questions to be addressed in our collective response to the texts). The two students participating in each presentation must consult with one another in advance, so that their work can be profitably divided up and their individual remarks coherently dovetailed. Each co-operative presentation must take no longer than 12 minutes (I will forcibly abridge them, if necessary), but their particular structure is up to the presenters: the two students can speak serially, or engage in critical dialogue, or whatever.
Moreover, to augment the oral presentations and to provide the class with material permitting us to formulate our questions or concerns in advance, all presenters must provide me, via e-mail, with a 1-page write-up of their ideas no later than 11 A.M. of the day they are slated to present. I will then circulate these write-ups (again, a total of four per week) to the entire class via an electronic bulletin board I will maintain including all of your e-mail addresses. Thus, even when you are not scheduled to present, you will be expected to check your e-mail sometime during Tuesday afternoons, to read over the day's four write-ups, and to come to class prepared to respond to our presenters. These presentations are crucially important--indeed, they will form the backbone of this seminar--so I urge you to take them seriously and to work diligently at them. A final note: since presenters' basic ideas will be available to the class in written form, the presentations themselves need not be overly discursive or detailed, but rather should involve an extemporaneous synthetic review of the individual arguments.
Of course, the major assignment for the semester is a 25-page seminar paper (or its equivalent in electronic form) incorporating original research. You are strongly encouraged to begin developing these projects as early as possible during the term, and obviously I will be available throughout the semester to help you refine your ideas, narrow your research, and gather your arguments into a final form. Our final two class sessions will be given over to discussions of your individual projects in roughly 20-minute blocks. These final presentations should involve a capsule overview of your project and an indication of any questions or concerns you may have regarding it, leaving time for feedback from the rest of the class. The paper itself will be due on Wednesday of exam week, in my box in EPB 308.
Grading: Final grades will be calculated as follows: class participation--20%; in-class presentations (including write-ups)--20%; research project--60%.
Schedule of Reading:
Week 1 (1/21). Metal Freaks
1st half:
- Introduction; screening and discussion of Tetsuo: The Iron Man
Week 2 (1/28). The Machineries of Capital
1st half:
- Karl Marx, Capital, Volume 1, pp. 439-533 (Chapters 13, 14, and Parts 1-3 of Chapter 15)
2nd half:
- Marx, cont'd, pp. 533-639 (Parts 4-10 of Chapter 15)
- David Pollack, "The Creation and Repression of Cybernetic Man: Technological Fear and the Secrecy of Narrative" *
Week 3 (2/4). The Prehistory of Information Society
1st half:
- James R. Beniger, The Control Revolution: Technological and Economic Origins of the Information Society, pp. 169-287 (chapters 5 & 6)
2nd half:
- William Gibson and Bruce Sterling, The Difference Engine
Week 4 (2/11). Consuming Bodies
1st half:
- James R. Beniger, The Control Revolution, pp. 291-389 (chapters 7 & 8)
2nd half:
- Mark Seltzer, Bodies and Machines
Week 5 (2/18). Technology and the Orchestration of Masses
1st half:
- Michel Foucault, "Panopticism" *
- Herbert Marcuse, "Some Social Implications of Modern Technology" *
2nd half:
- Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" *
Week 6 (2/25). Robots and Assembly Lines
1st half:
- Antonio Gramsci, "Americanism and Fordism" *
- Peter Wollen, "Cinema/Americanism/the Robot" *
2nd half:
- Matthew Biro, "The New Man As Cyborg: Figures of Technology in Weimar Visual Culture" *
- Karel Capek, R.U.R.
- Metropolis (film)

Week 7 (3/4). Cybernetics
1st half:
- David Tomas, "Feedback and Cybernetics: Reimaging the Body in the Age of the Cyborg" *
- Norbert Wiener, The Human Use of Human Beings, pp. 15-94, 136-186 (Chapters I-V, IX-X)
2nd half:
- Philip K. Dick, Do Androids Dream of Electric Sheep?
Week 8 (3/11). Mondo Media
1st half:
- Marshall McLuhan, The Medium is the Massage
2nd half:
- William S. Burroughs, Nova Express
Week 9 (3/18). Simulation
1st half:
- Jean Baudrillard, Simulacra and Simulation
2nd half:
- J.G. Ballard, The Atrocity Exhibition
Week 10 (3/25). Spring Break
No class
Week 11 (4/1). Adrift in Cyberspace
1st half:
- Bill Nichols, "The Work of Culture in the Age of Cybernetic Systems" *
- Allucquere Roseanne Stone, "Virtual Systems" *
- Jaron Lanier & Frank Biocca, "An Insider's View of the Future of Virtual Reality" *
2nd half:
- William Gibson, Neuromancer
Week 12 (4/8). Gender and Erotic Telepresence
1st half:
- Arthur & Marilouise Kroker, "Theses on the Disappearing Body in the Hyper-Modern Condition" *
- Gareth Branwyn, "Compu-Sex: Erotica for Cybernauts" *
- Richard Jones, ed., Cybersex--excerpts
2nd half:
- Speaking Parts (film)
- Videodrome (film)
Week 13 (4/15). Total War
1st half:
- Paul Virilio, Speed and Politics
2nd half:
- Andy Pickering, "Cyborg History & the WWII Regime" *
- Survival Research Laboratories, A Bitter Message of Hopeless Grief (video)
Week 14 (4/22). The Cyborg Body Politic
1st half:
- Donna Haraway, "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century" *
2nd half:
- Kevin Robins, "Reimagined Communites? European Image Spaces, Beyond Fordism" *
- Ian Barns, "Post-Fordist People: Cultural Meanings of New Technoeconomic Systems" *
- Diane M. Nelson, "Maya Hackers and the Cyberspatialized Nation-State: Modernity,Ethnostalgia, and a Lizard Queen in Guatemala" *
Weeks 15-16 (4/29 & 5/6). Student Presentations
Links:
Resource Center for Cyberculture Studies