One
of the most frequent and most bitter complaints about journalists is
that they invade others' personal lives and publicize
things that people want to keep private.
Journalists
respond that their job is to truthfully inform the public, and that
job involves
reporting facts that some might not want known.
* In
deciding what private information should be made public, how
do we distinguish among what the public has a right to know,
needs to know and wants to know?
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* Do
people have a right to privacy? What sorts of people? In what
situations? How about a personal need for privacy?
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* Are
there any useful suggestions for handling issues
that arise in this highly sensitive area? (Yes, there are!)
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Remember
that "rights" involve laws -- the concept of rights is essentially
a legal issue.
The public's
so-called right to know is far more limited than you
might think. It applies to our right to access info about what the
government is doing. Examples
of such legal rights include open records and open meetings laws, court
transcripts (usually), and (most) police records.
How about
the right to privacy? It has been identified only
in the past 100 years … and keeps changing as our
culture changes. But the courts have said such a right does exist and can be
violated in four
ways:
* Intruding
into seclusion or solitude.
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* Publicly
disclosing private, embarrassing and irrelevant facts.
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* Placing
someone in a "false light."
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*
Misappropriating someone's name or image for personal advantage.
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Ethics,
which involve responsibilities rather than rights, are a better bet
in privacy decisions.
People do
have a need for privacy. Patterson and Wilkins say
this need comes from two aspects of our lives, as individuals and as
members of society:
* As
individuals, we need space for personal development. We cannot
discover who we are, who we want to be and what is important
to us if we are under constant observation.
They
offer (by way of contemporary philosopher and ethicist Lou Hodges)
a nice explanation of our "circles of intimacy,"
a way of thinking about who can know what about each of us. When
outsiders penetrate
to the inner circles, we lose control over information about
ourselves -- our privacy has been invaded.
(I
would add that we especially need privacy at times when we are
most vulnerable, such as when we are dealing with grief. The
SPJ guideline of "minimizing harm" relates directly to this need.)
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* As
members of a free society, we also need privacy as a shield against
the power of the state.
A
government that knows everything about us is a government that
will be readily able to control us ... even when that is "for
our own good."
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But
citizens of a self-governing democracy also have a need to
know.
And journalists have a responsibility
to meet that need.
We need
to know what our institutions and the people who run them are up to
so
that
we can make informed decisions.
When trying
to decide what info should be made public and what should remain private,
need to know offers the most compelling ethical argument for
journalists trying to decide what to publish and what to withhold --
how complete a version of truth to provide.
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Here's
something that's not in the book -- some suggestions of things
to think about for
journalists faced with ethical decisions related to privacy. These
come from Garrett
Ray, a friend of mine who taught a media ethics course at Colorado
State University for many years:
* Accept
that "rules" are seldom the answer.
There
are too many exceptions, special circumstances and additional
factors to
consider. |
* Recognize
that as long as you work as a journalist, you are going to hurt
people. Telling the truth inevitably will do that sometimes.
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* That
said, the Golden Rule is a good one to follow here. (Rawls'
"veil of ignorance" serves the same purpose in this context.)
Think
how you would feel if the story were about you. Is there a way to ease
the pain for someone else, just as you would want your own pain lessened? |
* Remember
why you have that First Amendment protection.
It's
because you provide info that helps citizens make good decisions.
It's not a license to gossip. |
| * Avoid
weak excuses, such as "it's news" or "people
are interested."
As
the gossip value of a story rises, your privacy threshold should
rise along with it. |
* Similarly,
watch out for the "everyone else will have the story" excuse.
Don't
let a competitor make your decisions for you. Someone else's
decision to be unethical isn't any reason for you to be unethical,
too. (As my mama used to say, just because all the other little lemmings
are jumping off the cliff, you don't have to leap with them.) |
* Keep
your particular community in mind.
For
instance, a town's size makes a difference in the effect a
story will have. |
* Consider
your options -- all of them, or at least as many as you can think
of.
Your
choices go beyond running a story or killing it, as you've learned
from working through Bok and the P.B. |
* Respect
everyone's privacy. No one should have to live under a 24-hour media
spotlight.
Much
of what public officials do is news. But not everything
is. Nor is how their family members act. |
* Protect
the weak and the victims.
Some
people merit special protection. Invading their privacy can
be a form of violation, even if the same act wouldn't be as harmful
to those better equipped to defend themselves. |
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This
week's chapter from The Elements of Journalism isn't specifically
about privacy -- but it is about tabloid and talk TV,
so maybe that's close enough!
The central
theme is that journalism should serve as a civic forum -- a place to
talk about important issues of the day. (Remember the Hutchins Commission
again: The media should serve as a forum for the exchange
of comment and criticism.)
But in the
current media environment, talk has devolved into argument.
And argument is polarizing -- it makes seeking consensus and reaching
compromise, essential components
of democracy, very difficult.
The authors
offer four defining features of what they call the "Argument
Culture" (a topic they explore in more detail in an earlier
book, titled Warp
Speed):
* Talk
is cheap. Literally.
Good
journalism, in contrast, is expensive.
Guess
which is more tempting to produce?
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* Newness
becomes valued over expertise.
Energy,
attitude and extremism made good television. Good journalism?
Not so much, at least not the last two.
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* Despite
the volume (in quantity and loudness) of the public discourse,
the scope of topics actually is narrowed.
Important
topics, especially broad issues that are difficult to talk about,
tend to get ignored. As a result, we are losing our ability to
identify and address a common set of shared problems:
"The
mass media no longer help identify a common set of issues.
"One
of the most distinguishing features of American culture
-- the potential of the nation to summon itself to face
great challenges as we did facing fascism or Communism
or the Depression -- now becomes doubtful" (Elements
of Journalism, p. 141). |
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* The
penchant for talk has grown into a penchant for polarization.
The
perpetual food fights make problems seem unsolvable. Most of
us get frustrated and go away. |
These four
attributes of the "Argument Culture" -- less reporting, a
devaluing of expertise, an emphasis on a narrow range of hot stories,
and the oversimplified and polarized nature of debate -- ultimately
disenfranchise most of us.
Democracy
as shouting match simply drives us away. Again, the impetus for compromise,
vital to a functioning democratic system in a nation
as vast as ours, is lost. The media are not exclusively to blame for this. But they're not blameless,
either:
"Unless
the forum [of public discussion] is based on a foundation
of fact and context ... the debate will cease to educate;
it will only reinforce the prejudgments people arrive with.
"The
public will be less able to participate in solutions. Public
discourse will not be something we can learn from. It will
dissolve into noise, which the majority of the public will
tune out" (Elements of Journalism,
p. 145). |
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