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Asst.
Professor
Sasha Waters
w 233 Adler Bldg.
Office Hours:
T & Th 2:30-4
& by appt.
tel.
# 353.2922


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48:132
Advanced Video
Fall 2005, Tues & Thurs 9:30-11:20
The "texts"
of the class are the videos (and a few films) we will screen, read about
& refer to, plus the coursepack readings which appear below. Screenings
are, for the most part, on the schedule
but will be fluid and may be displaced by in-class demos and/or technical
workshops as needed.
VIDEOS/FILMS
Another Girl, Another Planet (1992, 56:00) by Michael Almereyda
The
Atomic Café
(1982, 85:00) by Kevin Rafferty
Babakiueria (1987, 34:00) by Don Featherstone
The
Book of Life (1998, 63:00) by Hal Hartley
Couple
in a Cage: Guatianuai Odyssey, (1993, 31:00)
by Coco Fusco
History
& Memory (1991, 32:00) by Rea Tajiri
If
Every Girl Had a Diary (1990, 6:00) by Sadie Benning
Joan
Does Dynasty (1986, 35:00) by Joan Braderman
La Jetee (1962,
28:00) by Chris Marker
La Promesa
(2004, 26:00) by Cheryl
Hess
Let
the Church Say Amen (2005, 90:00) by David Peterson
Night &
Fog (1955, 31:00) by Alain Resnais
Nobody's Business
(1996, 56:00) by Alan Berliner
Semiotics
of the Kitchen (1975, 6:00) by Martha Rosler
The Smell of Burning Ants
(1994, 21:00) by Jay Rosenblatt
Time Code (2000, 97:00) by Mike Figgis
Tribulation
99 (1991, 48:00) by Craig Baldwin
The Two Boys (1999, 10:00) by Jason Livingston
Twelve Monkeys (1995, 129:00) by Terry Gilliam
READINGS
week 2 - "Doubletake: The Diary of a Relationship with an Image”
by Lucy R, Lippard, in The Photography Reader, ed. Liz Wells, 2003
week 3 - Owning Culture: Authorship, Ownership & Intellectual Property
Law, by Kembrew McLeod, 2001. Ch 4 – Visual & Sound Collage
Versus Copyright & Trademark Law
week 4 -
Sight, Sound, Motion: Applied Media Aesthetics 3rd ed. by Herbert Zettl,
1999, Ch 1 – Applied Media Aesthetics
week 5 - The New Media Book, ed. Dan Harries, 2002
Ch 3.2 "Narrative Equivocations between Movies and Games" by
Marsha Kinder
week 6 - Sight, Sound, Motion: Applied Media Aesthetics 3rd ed., by Herbert
Zettl, 1999, Ch 4 – The Extended First Field: Color AND Ch 5 –
Structuring Color: Function & Composition
week 7 - “Round Table: The Projected Image in Contemporary Art”
OCTOBER 104, Spring 2003
week 9 - Film Production Theory by Jean-Pierre Geuens, 2000
Ch 8 – Sound
AND also week 9: Sight, Sound, Motion: Applied Media Aesthetics 3rd ed.,
by Herbert Zettl, 1999, Ch 6 – The 2-D Field: Area
week 11 - The New Media Book, ed. Dan Harries, 2002
Ch 5.1 - "Old Media as New Media: Cinema" by Lev Manovich
week 12 - Sight, Sound, Motion: Applied Media Aesthetics 3rd ed., by Herbert
Zettl, 1999, Ch 12 – The 4-D Field: Time
week 13 - “How Real is the Reality in Documentary Film? Jill Godmilow
in Conversation with Ann-Louise Shapiro” and “What’s
Wrong with the Liberal Documentary?” by Jill Godmilow, from Godmilow’s
web site
week 15 “Fetal Tissue: Reproductive Rights & Amateur Activist
Video” by Patricia R. Zimmerman, in Resolutions: Contemporary Video
Practices, ed. Michael Renov & Erika Suderberg, 1996
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