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Asst. Professor
Sasha Waters
w 233 Adler Bldg.

Office Hours:
T & Th 2:30-4
& by appt.
tel. # 353.2922














 

 


   

48:132 Advanced Video
Fall 2005, Tues & Thurs 9:30-11:20

The "texts" of the class are the videos (and a few films) we will screen, read about & refer to, plus the coursepack readings which appear below. Screenings are, for the most part, on the schedule but will be fluid and may be displaced by in-class demos and/or technical workshops as needed.

VIDEOS/FILMS
Another Girl, Another Planet (1992, 56:00) by Michael Almereyda
The Atomic Café (1982, 85:00) by Kevin Rafferty
Babakiueria (1987, 34:00) by Don Featherstone
The Book of Life (1998, 63:00) by Hal Hartley
Couple in a Cage: Guatianuai Odyssey, (1993, 31:00)
by Coco Fusco

History & Memory (1991, 32:00) by Rea Tajiri
If Every Girl Had a Diary (1990, 6:00) by Sadie Benning
Joan Does Dynasty (1986, 35:00) by Joan Braderman
La Jetee (1962, 28:00) by Chris Marker
La Promesa (2004, 26:00) by Cheryl Hess
Let the Church Say Amen (2005, 90:00) by David Peterson

Night & Fog
(1955, 31:00) by Alain Resnais
Nobody's Business
(1996, 56:00) by Alan Berliner
Semiotics of the Kitchen (1975, 6:00) by Martha Rosler
The Smell of Burning Ants
(1994, 21:00) by Jay Rosenblatt
Time Code (2000, 97:00) by Mike Figgis
Tribulation 99
(1991, 48:00) by Craig Baldwin
The Two Boys
(1999, 10:00) by Jason Livingston
Twelve Monkeys (1995, 129:00) by Terry Gilliam

READINGS
week 2 - "Doubletake: The Diary of a Relationship with an Image” by Lucy R, Lippard, in The Photography Reader, ed. Liz Wells, 2003

week 3 - Owning Culture: Authorship, Ownership & Intellectual Property Law, by Kembrew McLeod, 2001. Ch 4 – Visual & Sound Collage Versus Copyright & Trademark Law

week 4 -
Sight, Sound, Motion: Applied Media Aesthetics 3rd ed. by Herbert Zettl, 1999, Ch 1 – Applied Media Aesthetics

week 5 - The New Media Book, ed. Dan Harries, 2002
Ch 3.2 "Narrative Equivocations between Movies and Games" by Marsha Kinder

week 6 - Sight, Sound, Motion: Applied Media Aesthetics 3rd ed., by Herbert Zettl, 1999, Ch 4 – The Extended First Field: Color AND Ch 5 – Structuring Color: Function & Composition

week 7 - “Round Table: The Projected Image in Contemporary Art” OCTOBER 104, Spring 2003

week 9 - Film Production Theory by Jean-Pierre Geuens, 2000
Ch 8 – Sound

AND also week 9: Sight, Sound, Motion: Applied Media Aesthetics 3rd ed., by Herbert Zettl, 1999, Ch 6 – The 2-D Field: Area

week 11 - The New Media Book, ed. Dan Harries, 2002
Ch 5.1 - "Old Media as New Media: Cinema" by Lev Manovich

week 12 - Sight, Sound, Motion: Applied Media Aesthetics 3rd ed., by Herbert Zettl, 1999, Ch 12 – The 4-D Field: Time

week 13 - “How Real is the Reality in Documentary Film? Jill Godmilow in Conversation with Ann-Louise Shapiro” and “What’s Wrong with the Liberal Documentary?” by Jill Godmilow, from Godmilow’s web site

week 15 “Fetal Tissue: Reproductive Rights & Amateur Activist Video” by Patricia R. Zimmerman, in Resolutions: Contemporary Video Practices, ed. Michael Renov & Erika Suderberg, 1996