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50:169 Doctors in FilmFilm NotesFrankensteinThis is the first of the Hollywood films (Universal Studios) depicting Dr. Frankenstein delving into "the secrets of life and death" to create one of the world's most famous monsters. It is loosely based on the book by Mary Shelley, first published in 1818, which is a major literary classic -- one of the first modern horror novels. Although the movie "Frankenstein" is set in an unidentified European country (at least as indicated by costumes of the townspeople), it is very much an American film and an Americanized version of the original story. It is difficult, but try to see the film as if you had never seen a horror film before and so might find aspects of it truly scary and even shocking. Questions for discussion:
For further reading: Chris Baldick, “The Politics of Monstrosity,” in In Frankenstein’s Shadow: Myth, Monstrosity, and Nineteenth-century Writing (Oxford, England: Clarendon Press, 1987), pp. 10-29. Baldick creates a context for the social, physical, and moral meanings of “monster” at the time Mary Shelley wrote Frankenstein. Baldick sees the novel as intending to challenge people’s ideas about identity and morality—i.e., the “monster” is a creation of human making, and thus demands that creators take responsibility for it. Albert J. Lavalley, “The Stage and Film Children of Frankenstein: A Survey, in The Endurance of Frankenstein: Essays on Mary Shelley’s Novel, ed. George Levine and U. C. Knoepflmacher, Berkeley: Univ. of California Press, 1979, pp. 243-89.
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