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University of Iowa Main Library
Prepared for use in 016E:175
The History and Politics of Russian and Soviet Film
Prof. Paula A. Michaels
Fall 2002
This
bibliography is far from cumulative, but it is a good sample of the kinds of
books the library holds that are of direct relevance to this course. There are, of course, hundreds more articles
as well as books that touch indirectly on the issue of Russian and Soviet film
history. This document is only meant as
a starting point in your research.
I
realize it would be far more useful if it was arranged chronologically by
subject, but I was not able to rearrange it before the semester began. For now, it is arranged in alphabetical
order by author. It shouldn’t take too
long, however, to skim through the titles and get a sense of what’s out
there. Once you have a topic for your research
paper you can go through it more carefully and, of course, you must do additional
searching on your own to turn up further sources.
Finally,
this was generated with Endnote 5, which has problems downloading
transliterations from Russian and does not format everything properly. I plan to make corrections, but for now you
have to make due with it as is. Your
own bibliographies for your research papers should not follow the erratic style
here, but the conventions of the Chicago Manual of Style.
Arosev, Aleksandr Ia F. E.
kovlevich. Soviet cinema, design and
photomontage. Moscow, 1935.
Attwood, Lynne, and Maia F.
E. ¸ F. E. Iosifovna Turovskaa\Fe20¸\Fe. Red
women on the silver screen : Soviet women and cinema from the beginning to the
end of the communist era. London: Pandora, 1993.
Babitsky, Paul, and John Rimberg.
The Soviet film industry. New York,:
Published for the Research Program on the U. S. S. R. by Praeger, 1955.
Bann, Stephen, and John E.
Bowlt. Russian formalism: a collection of
articles and texts in translation. Edinburgh, London,: Scottish Academic
Press; distributed by Chatto and Windus, 1973.
Barna, Ion. Eisenstein. Bloomington,: Indiana
University Press, 1973.
Barron, Neil. Anatomy of wonder : a critical guide to
science fiction. 2nd ed. New York: Bowker, 1981.
Baskakov, Vladimir
Evtikhianovich. Soviet cinema: a brief
essay. Moscow,: Novosti Press Agency Pub. House, 1967.
Beumers, Birgit. Burnt by the sun, KINO, the Russian cinema series. London ; New York: I.B. Tauris,
2000.
———. Russia on reels : the Russian idea in Post-Soviet cinema, KINO, the Russian cinema series. London
; New York: I.B. Tauris Publishers, 1999.
Birkos, Alexander S. Soviet cinema : directors and films.
Hamden, Conn.: Archon Books, 1976.
Bordwell, David. The cinema of Eisenstein. Cambridge,
Mass.: Harvard University Press, 1993.
Brashinsky, Michael, and
Andrew Horton. Russian critics on the
cinema of glasnost, Cambridge studies
in film. Cambridge England ; New York: Cambridge University Press, 1994.
Bryher. Film problems of Soviet Russia. Territet, Switzerland,: Riant
Chateau, 1929.
Bryld, Mette, and Erik
Kulavig. Soviet civilization between past
and present, Odense University slavic
studies, v. 10. Odense: Odense University Press, 1998.
Carter, Huntly. The new theatre and cinema of Soviet Russia.
New York,: Arno Press, 1970.
Christie, Ian, and John
Gillett. Futurism-formalism-FEKS :
'eccentrism' and Soviet cinema, 1918-36. London: British Film Institute,
1978.
Christie, Ian, and Richard
Taylor. Eisenstein rediscovered, Soviet cinema. London ; New York:
Routledge, 1993.
———. Inside the film factory : new approaches to Russian and Soviet cinema,
Soviet cinema. London ; New York, NY:
Routledge, 1991.
Cohen, Louis Harris. The cultural-political traditions and
developments of the Soviet cinema, 1917-1972, The Arno Press cinema program. New York,: Arno Press, 1974.
———. The Soviet cinema, film, and photography : a selected annotated
bibliography. Rev. and expand ed. Edwards Air Force Base, Calif.:
Photographic Branch DOETC Air Force Flight Test Center, 1976.
Constantine, Mildred, and
Alan Maxwell Fern. Revolutionary Soviet
film posters. Baltimore,: Johns Hopkins University Press, 1974.
Dickinson, Thorold, and
Catherine de la Roche. Soviet cinema,
[The National cinema series].
London,: Falcon Press, 1948.
Dolmatovskaia, G., and I.
Shilova. Who's who in the Soviet cinema.
Moscow: Progress, 1979.
Eagle, Herbert. Russian formalist film theory, Michigan Slavic materials. no. 19. Ann
Arbor, Mich.: Dept. of Slavic Languages and Literatures University of Michigan,
1981.
Eaton, Katherine Bliss. Enemies of the people : the destruction of
Soviet literary, theater, and film arts in the 1930s. Evanston, Ill.:
Northwestern University Press, 2002.
Efimov, çE, and Vasilići
Makarovich Shukshin. Vasily Shukshin,
World of art cinema. Moscow: Raduga
Publishers, 1986.
Egorova, Tat B. A. Ganf, and
N. A. Egunova. Soviet film music : an
historical survey, Contemporary music
studies ; v. 13. AustraliaAmsterdam: Harwood Academic Pub. ; OPA Overseas
Pub. Association, 1997.
Eisenstein, Sergei, and Jay
Leyda. Film essays, with a lecture.
London,: Dobson, 1968.
Faraday, George. Revolt of the filmmakers : the struggle for
artistic autonomy and the fall of the Soviet film industry. University
Park, Pa.: Pennsylvania State University Press, 2000.
Finler, Joel W. Silent cinema. London: B.T. Batsford,
1997.
Freeman, Joseph, Joshua
Kunitz, and Louis Lozowick. Voices of
October, art and literature in soviet Russia. New York,: The Vanguard
Press, 1930.
Galichenko, Nicholas, and
Robert Allington. Glasnost--Soviet cinema
responds. 1st ed, Texas film studies
series. Austin: University of Texas Press, 1991.
Gartenberg, Jon, and
International Federation of Film Archives. Glossary
of filmographic terms, 1989. 2nd ed. Brussels, Belgium: FIAF, 1989.
Goodwin, James. Eisenstein, cinema, and history. Urbana:
University of Illinois Press, 1993.
Goulding, Daniel J. Post new wave cinema in the Soviet Union and
eastern Europe. Bloomington: Indiana University Press, 1989.
Holme, C. Geoffrey. Art in the U. S. S. R.: architecture,
sculpture, painting, graphic arts, theatre, film, crafts. London, New
York,: The Studio limited; The Studio publications inc., 1935.
Horton, Andrew. Inside Soviet film satire : laughter with a
lash, Cambridge studies in film.
Cambridge England ; New York, NY: Cambridge University Press, 1993.
Horton, Andrew, and Michael
Brashinsky. The zero hour : glasnost and
Soviet cinema in transition. Princeton, N.J.: Princeton University Press,
1992.
Johnson, Vida T., and Graham
Petrie. The films of Andrei Tarkovsky : a
visual fugue. Bloomington: Indiana University Press, 1994.
Kenez, Peter. Cinema and Soviet society from the
revolution to the death of Stalin. New ed. London ; New York New York: I.B.
Tauris ; distributed by St. Martin's Press, 2001.
Kleberg, Lars, and Hęakan
Lčovgren. Eisenstein revisited : a
collection of essays, Acta
Universitatis Stockholmiensis. Stockholm studies in Russian literature. 22.
Stockholm: Almqvist & Wiksell International, 1987.
Krawc, Alfred, and
International Federation of Film Archives. International
directory of cinematographers set-and costume designers in film. Mčunchen ;
New York: Saur, 1981.
Kuleshov, L. V. Fifty years in film : selected works.
Moscow: Raduga Publishers, 1987.
———. Kuleshov on film : writings. Berkeley: University of California
Press, 1974.
Lary, N. M. Dostoevsky and Soviet film : visions of
demonic realism. Ithaca: Cornell University Press, 1986.
Lawton, Anna. Kinoglasnost : Soviet cinema in our time,
Cambridge Soviet paperbacks ; 9. Cambridge
; New York: Cambridge University Press, 1992.
———. The Red screen : politics, society, art in Soviet cinema. London ;
New York: Routledge, 1992.
Le Fanu, Mark. The cinema of Andrei Tarkovsky. London:
BFI, 1987.
Leaming, Barbara D.
"Engineers of human souls : the transition to socialist realism in the
Soviet cinema of the 1930s." 1980.
Leyda, Jay. Kino : a history of the Russian and Soviet
film. 3rd ed. Princeton, N.J.: Princeton University Press, 1983.
Malnick, Bertha, and Pearl
Binder. Everyday life in Russia.
London etc.: G. G. Harrap & co. ltd., 1938.
Marshall, Herbert. Masters of the Soviet cinema ; crippled
creative biographies. London ; Boston: Routledge & K. Paul, 1983.
Marshall, Herbert, and
Russia Today Society (London England). Soviet
cinema. London ,: Russia Today, 1945.
Martin, Marcel. Le cinâema soviâetique : de Khrouchtchev áa
Gorbatchev, 1955-1992, Histoire et
thâeorie du cinâema. Lausanne: Age d'homme, 1993.
Mayne, Judith. Kino and the woman question : feminism and
Soviet silent film. Columbus: Ohio State University Press, 1989.
Pronay, Nicholas, and D. W.
Spring. Propaganda, politics, and film,
1918-45. London: Macmillan Press, 1982.
Rimberg, John. The motion picture in the Soviet Union:
1918-1952, a sociological analysis. New York,: Arno Press, 1973.
Roberts, Graham. Forward Soviet! : history and non-fiction
film in the USSR, KINO, the Russian
cinema series. London ; New York, NY: I.B. Tauris ; In the United States of
America and in Canada distributed by St. Martin's Press, 1999.
———. The man with the movie camera, KINOfiles
film companions ; 2. London ; New York: I.B. Tauris, 2000.
Sargeant, Amy. Vsevolod Pudovkin : classic films of the
Soviet avant-garde, KINO, the Russian
cinema series. London ; New York: Tauris, 2000.
Schnitzer, Luda, Jean
Schnitzer, and Marcel Martin. Cinema in
revolution: the heroic era of the Soviet film. London,: Secker &
Warburg, 1973.
Smallman, Kirk. Revolutionary cinema Soviet art-propaganda,
1919-1938, 1960. microform.
The Soviet comes of age. London, etc.: W. Hodge and company limited, 1938.
"Soviet film." v.
Moscow,: Sovexportfilm.
Strada, Michael, and Harold
Troper. Friend or foe? : Russians in
American film and foreign policy, 1933-1991. Lanham, Md. ; London:
Scarecrow Press, 1997.
Synessios, Natasha. Mirror, KINOfiles film companions ; 6. New York ; London: I. B. Tauris
Publishers, 2001.
Tarkovskići, Andreći Arsen
B. evich. Time within time : the diaries,
1970-1986. Calcutta: Seagull, 1991.
Taylor, Richard. The Battleship Potemkin : the film companion,
KINOfiles film companions 1. London:
I.B. Tauris, 2000.
———. Film propaganda : Soviet Russia and Nazi Germany. 2nd, rev. ed.
London ; New York: I.B.Tauris ; In the United States of America distributed by
St. Martin's Press, 1998.
———. The politics of the Soviet cinema, 1917-1929. Cambridge Eng. ; New
York: Cambridge University Press, 1979.
Taylor, Richard, and British
Film Institute. The BFI companion to
Eastern European and Russian cinema. London: BFI Pub., 2000.
Taylor, Richard, and Ian
Christie. The Film factory : Russian and
Soviet cinema in documents. London: Routledge & Kegan Paul, 1988.
Taylor, Richard, and D. W.
Spring. Stalinism and Soviet cinema, Soviet cinema. London ; New York:
Routledge, 1993.
Tsivian, Yuri, and Richard
Taylor. Early cinema in Russia and its
cultural reception, Soviet cinema.
London ; New York: Routledge, 1994.
TsK KPSS. Decisions of the Central Committee,
C.P.S.U.(B.) on literature and art (1946-1948). Moscow: Foreign Languages
Publishing House, 1951.
Turovskaya, Maya. Tarkovsky : cinema as poetry. London ;
Boston: Faber and Faber, 1989.
Vorontsev, I. U. , and Igor B. Antonovich Rachuk. The phenomenon of the Soviet cinema.
Moscow: Progress Publishers, 1980.
Vronskaya, Jeanne. Young Soviet film makers. London,: Allen
and Unwin, 1972.
Woll, Josephine. Real images : Soviet cinema and the thaw,
KINO, the Russian cinema series.
London ; New York: I.B. Tauris, 2000.
Woll, Josephine, and Denise
J. Youngblood. Repentance, KINOfiles film companions ; 4. London ;
New York: I.B. Tauris, 2001.
Youngblood, Denise J. The magic mirror : moviemaking in Russia,
1908-1918, Wisconsin studies in film.
Madison, Wis.: University of Wisconsin Press, 1999.
———. Movies for the masses : popular cinema and Soviet society in the 1920s.
Cambridge England ; New York, NY: Cambridge University Press, 1992.
———. Soviet cinema in the silent era, 1918-1935, Studies in cinema. no. 35. Ann Arbor, Mich.: UMI Research Press,
1985.
Zorkaia, Neia Markovna. Soviet cinema today. New Delhi: Panchsheel Publishers, 1988.
Zorkaia, Neia Markovna. The illustrated history of the Soviet cinema.
New York: Hippocrene Books, 1989.