"A project of the International Women's Meddia Foundation with a mission of strengthening the role of women in the news media worldwide, based on the belief that no
press is truly free unless women share an equal voice."
In the Griot tradition, the people of the AFROAM-L discussion group have created a unique compilation of discussions, research and original work about African life, culture and
history named it our Griot Online.
An annotated index originally from Yale University's American Studies department, now part of the American Studies Web hosted by Georgetown University.
This is an experimental Black cultural studies site set up because of a lack of resources on the internet around questions of ethnicity, race, and gender among populations of the
African diaspora.
Mendi and Keith Obadike are multimedia artists who produce conceptual Internet
art including such works as an Internet opera "the sour thunder" commissoned
by Yale Cabaret, "the interaction of coloreds" commissioned by the Whitney
Museum. See the Whitney
page for a bio
This Site currently covers Books on the Genre as well as Lists of the Movies, their Soundtracks and Posters. Plus we have an Introduction to Black Action Movies, their Influence
on Film and TV and various external Links.
This page is a tribute to the spirit of Women of color exemplified in the dramatic feature film Daughters of the Dust, written and directed by Julie Dash. Backround on the Gullah,
history of African American cinema, Sea Island Recipies ... all kinds of stuff related to the subject of the film, the film itself and its maker.
Recently we were given the opportunity to interview David Walker, blaxploitation, historical guru and creator/editor/publisher of the groundbreaking as well as hilarious BadAzz
MoFo magazine and website (www.badazzmofo.com). Both are devoted to blaxploitation and other underground cinematic gems. --MochaDreams.com
Black Popular Culture Representations of Resistance from the Black Power Movement of the 1960s to the Boyz in the Hood. Talk sponsored by the Ethnic Studies Dept., Bowling
Green State University, Feb., 1996.
"African-Americans aren't rushing online because the new medium butts heads with their traditional values and desires." by Leonce Gaiter, Salon Magazine.
By Keith Woods at The Poynter Institute For Media Studies. Traces the problems journalists were struggling with when reporting former police detective Furman's remarks related
to the O.J. Simpson trial.
"Midnight Ramble concerns Black Hollywood from the period just after World War I through the 1940s. It considers everything from the low budget, independent Race movies of Oscar
Micheaux to major studio productions. It's a tribute to a very misunderstood, and mysterious film genre that lasted for over forty years."
"A project of the Center for Integration and Improvement of Journalism, San Francisco State University Journalism Department. We're your on-line resource for bringing
unbiased, fair coverage of people of color and lesbians/gays to the news."
This site is an online resource for those concerned with the mass media and race relations in the United States. It is specifically designed as a resource for readers of the book:
The Black Image in the White Mind: Media and Race in America By Robert M. Entman and Andrew Rojecki.
Talk delivered at the American Studies Assn. 2000 (Detroit) by Ron Eglash, Rensselaer Polytechnic Institutite. This paper examines the role of the nerd in relation to race and
gender identity, and explores the ways in which attempts to circumvent its normative gate keeping function can both succeed and fail.
From the caravel to the cotton gin, technological innovation has made things worse for blacks. Will the information revolution be any different? by Anthony Walton, Atlantic Monthly,
January, 1999.
A draft of an article by Ron Eglash and Julian Bleecker scheduled to appear in Science as Culture. "Focusing on the black diaspora, we broaden the category of "information
technology" to show how traditions of coding and computation from indigenous African practices and black appropriations of Euro-american technologies have supported, resisted, and
fused with the cybernetic histories of the west, and provide a strong source for changes in reconstructing identity, social postition and access to power in communities of the black
diaspora."
By Kalí Tal - " African American critical theory provides very sophisticated tools for the analysis of cyberculture, since African American critics have been discussing
the problem of multiple identities, fragmented personae, and liminality for over a hundred years."
Communication
Studies Resources was created and is maintained by Karla Tonella.
Send suggestions and complaints to Karla-Tonella@uiowa.edu
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