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November 5, 2004
Volume 42, No. 4

features

On a wing and a care: 25 years of airborne aid
Von Stange taking up UI residence
Filmmaker Nicholas Meyer focuses on iowa connection
Faculty and staff who love to play
President's Annual Keynote
Provost's Annual Faculty Senate Address

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Minority numbers climb
New Hancher device a sight for sore eyes
Tuition assistance Program deadlines
Submit Operations Manual revisions by Nov. 12

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The University of Iowa

The University of Iowa

Filmmaker Nicholas Meyer focuses on Iowa connection


Cartoon drawing with camera direction annotations in the margins
Curators in the UI Main Library have organized an exhibit in the Special Collections department that documents Nicholas Meyer’s directoral work on three Star Trek movies. The exhibit is free and open to the public during library hours through Nov. 15.
 

Faculty, staff, and students had several opportunities this fall to rub shoulders with Hollywood luminary Nicholas Meyer. Meyer is a director and screenwriter whose work includes many of the most popular movies of the past few decades, including Star Trek: The Wrath of Khan and Fatal Attraction. A1968 UI film and theatre arts graduate, Meyer came back to campus in September as an Ida Beam Distinguished Visiting Professor for a week of events that included workshops with students, lectures, and a film festival.

Kristi Robinson-Bontrager, public relations and marketing coordinator for UI Libraries, talked with Meyer during his visit to the Special Collections department in the Main Library.

Though he grew up in New York City and has lived in Los Angeles for many years, Nicholas Meyer still considers Iowa City and The University of Iowa his intellectual home.

“This place created me,” Meyer says. “It really sharpened my thinking.”

That connection to Iowa led him to establish an undergraduate scholarship in theater arts and, in 1983, to begin donating his papers to Special Collections in the University’s Main Library.

The Meyer collection includes manuscripts of his books and screenplays as well film posters, a radio broadcast, and film publicity photographs. During his campus visit last month, Meyer presented to the library a signed copy of his screenplay for The Human Stain (2003).

“Schools and libraries are the twin cornerstones of a civilized society,” Meyer says. “Libraries are only good if people use them, like books only exist when someone reads them. Unfortunately, we are converting to a visual society, and I think the average person is getting more information from pictures than from words.”

Meyer admits that contention puts him in a complicated position as both a writer and a director.

“As a writer, you have control of the words you put on the page,” he says. “But once that manuscript leaves your hand, you give control to the reader. As a director, you are limited by everything: weather, budget, and egos.”

Although he appreciates the quiet solitude of writing, by the time he has finished a screenplay, he is ready to reconnect with the world. Collaboration is what the filmmaker enjoys most about directing.

“Other people often provoke something good,” Meyer says. “Art doesn’t just happen by accident. It is about pulling out new tricks and trying new things.”

by Kristi Robinson-Bontrager

 

 

Published by University Relations Publications. Copyright the University of Iowa 2003. All rights reserved.
   

 

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