February
2, 2001
Volume 38, No. 10
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Class on cinema of former Yugoslavia includes free public screenings
Thanks to the efforts of a University of Iowa graduate student, the UI Libraries
will soon have the most extensive collection in the United States of feature
films from the former Yugoslavia. Sasa Milic, a Ph.D. student in the Department
of Cinema and Comparative Literature, organized the collection of these
films so that he could teach a seminar this semester titled Yugoslav Cinema
1945-1995.
"Without Sasas personal efforts, this course never could have
been offered," says Corey Creekmur, director of the UI Institute
for Cinema and Culture. "Most of the films he is showing have never
before been shown in the U.S. He had to track down distributors and visit
archives in Belgrade and then make them understand that he intended to
use the films for academic, not commercial, purposes."
Milic said that the course will focus on films from Serbia because he
could not obtain copies of or permission to show most of the important
films from other republics of the former Yugoslavia. Once the course is
completed, the films will be housed in the UI Libraries, where they will
be available for other students and scholars who wish to study them or
include them in courses on European cinema.
Following are the dates of the film screenings, which are free and open
to the public. All screenings will begin at 7 p.m. unless otherwise noted
and will be held in Room 101 Becker Communication Studies Building.
- Feb. 1: Andrzej Wajda, Siberian Lady Macbeth aka Fury Is a Woman,
1961
Zivorad Mitrovic, March on the Drina
- Feb. 8: Zivojin Pavlovic, The Awakening of the Rats, 1967
Zivojin Pavlovic, When I am Dead and Pale, 1967
- Feb. 15: Dusan Makavejev, Man Is Not a Bird, 1965
Dusan Makavejev, Love Affair, or the Tragedy of a Switchboard Operator,
1967
- Feb. 22: Alekandar Petrovic, I Even Met Happy Gypsies, 1967
Mica Popovic, The Toughs, 1968
- March 1: Aleksandar Petrovic, Three, 1965, VHS
Zivojin Pavlovic, Ambush, 1969
- March 8: Zelimir Zilnik, Early Works, 1969
Dusan Makavejev, WR: Mysteries of the Organism, 1970
- March 22: Zivorad Mitrovic, Echelon of Dr. M, 1955
Miomir Stamenkovic, The Maidens Bridge, 1976
- March 29: Srdan Karanovic, The Fragrance of Wild Flowers, 1977
Goran Markovic, National Class up to 785 cm3, 1979
- April 5: Srdan Karanovic, Petrias Wreath, 1980
Rajko Grlic, In the Jaws of Life, 1984 (Croatian)
- April 9, 5:40 p.m.: Emir Kusturica, When Father Was Away on Business,
1985, (Bosnian)
- April 12: Slobodan Sijan, Whos That Singing Over There?,
1980
Goran Markovic, The Collecting Point, 1989
- April 19: Slobodan Sijan, The Marathon Family, 1982
Zivko Nikolic, The Beauty of Sin, 1986
- April 26: Karpo Godina, The Raft of the Medusa, 1980 (Slovenian)
Slobodan Pesic, The Harms Case, 1987
- April 30, 6 p.m.: Goran Markovic, Tito and Me, 1992
- May 3: Emir Kusturica, Underground, 1995
Article
by Mary Geraghty Kenyon
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