Introduction to Place Studies
033:080, Literature, Science, and the Arts
169:080, Leisure Studies
3:00-4:15 MW, 472 Phillips Hall
Thomas Dean
Office of the President, 230 Jessup Hall
(Northwest corner of building, in enclosed hallway)
Mailbox is in main President’s Office, 101 Jessup Hall
Phone: (319)335-1995
E-mail: thomas-k-dean@uiowa.edu
Office hours: By appointment
Syllabus is online at www.uiowa.edu/~ipops
Course Description
This course will introduce you to the concept of “place” from environmental (natural and built), social, and cultural perspectives. The course is divided into three parts: theories of place, the cultural practice of place, and Iowa as place (applying theories and ideas about cultural practices to our location).
“Place studies” is an emerging interdisciplinary area, recognizing the centrality of natural, built, social, and cultural environments in the formation of individual, group, and communal identity, as well as the ways in which human beings interact with the world and the responsibilities incumbent upon them in terms of place. Although “place” is grounded in local geography, it is also the ground from which humans connect with virtually everything else. Lawrence Buell in Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond (2001) describes “tenticular radiations,” that is, relationships that radiate out from specific places in time, space, and imagination—geographical, economic, historical, fictive and virtual, migratory, and so forth. Understanding one’s place, then, involves understanding global ecosystems and economics just as much as the local landscape and community history. The excitement and innovation of place studies flow from the interactions and interconnections between these seemingly disparate elements, as well as the new elicited understandings about humanity and the environments in which it exists.
Required Texts (available at Prairie Lights Bookstore, 15 S. Dubuque St.)
Place: A Short Introduction, Tim Creswell (Blackwell Publishers, 2004)
Native to Nowhere: Sustaining Home and Community in a Global Age, Timothy
Beatley (Island Press, 2004)
Boy Life on the Prairie, Hamlin Garland (selections) (Bison Books, University of
Nebraska Press, 1961)—also on reserve in Main Library
Denison, Iowa: Searching for the Soul of America Through the Secrets of a Midwest
Town, Dale Maharidge and Michael Williamson (Free Press, 2005)
Living with Topsoil: Tending Spirits, Cherishing Land (Ice Cube Press, 2004)
Coursepack, available at Zephyr Copies, 124 E. Washington St.
Additional handouts and online materials
Grading and Course Expectations
My presumption is that you are here to learn, and learning requires, especially in a discussion-oriented course, consistent class attendance, adequate preparation of course readings and other materials, active and constructive participation, and completion of writing assignments on deadline. College of Liberal Arts and Sciences course guidelines state that for each semester hour credit in the course, students should expect to spend at least two hours per week preparing for class sessions; for this course, then, we presume an average of six hours of outside preparation on average per week.
Since it is essential to the quality of class discussion that everyone be present, prepared, and focused, there may be graded, in-class writing checks on assigned materials (i.e., pop quizzes).
Grading will be based on these assignments:
4 short (2-3 page) essays that integrate course materials (45% total; 10% each, though
15% given to highest grade)
2 short (4-page) writing assignments that apply course materials and concepts to
personal experience (40% total; 20% each)
Participation (attendance, class preparedness, participation in discussion), 15%
I set high standards for you, and I presume you do so for yourself. Letter grades mean the following: A for exceptional work, B for very good, C for acceptable, D for unacceptable but passing, F for failing.
I grade students individually (not on a curve) based on historical performance of students in my experience. For your information, the College of Liberal Arts and Sciences recommends the following grade distributions (in percentages) for this level course:
A: 15%, B: 34%, C: 40%, D: 8%, F: 3%, Average 2.50
Course Policies
E-mail and computer access: For purposes of class communication and fulfillment of assignments, you'll need an e-mail account and regular access to a computer.
Attendance: I presume you will be here at every class meeting. There are no “excused” or “unexcused” absences for this course. I consider more than three missed class periods as serious absenteeism (remember, two absences is one whole week of the course). If your attendance becomes problematic for a legitimate reason (illness, family emergency, etc.), please let me know as soon as possible so that we can make appropriate arrangements for any makeup work.
Class decorum: I work to create a positive, affirming, comfortable, challenging, and open atmosphere in the classroom. I appreciate your efforts to do the same. The best learning comes about from disagreement and debate; at the same time, class discussion must remain civil and respectful. I highly discourage late arrival and early departure from class, as they are disruptive. Please turn off cell phones before class starts. College of Liberal Arts and Sciences classroom environment policies are available online at http://www.clas.uiowa.edu/students/academic_handbook/ix.shtml.
Deadlines: Deadlines are deadlines. If you anticipate a serious problem, please alert me before an assignment is due, or as soon as possible after an emergency.
Unethical conduct: Plagiarism (i.e., expropriating the words and ideas of others and passing them off as one's own) and cheating of any sort are grounds for a failing grade in the course. Under University guidelines, plagiarism may lead to expulsion. More details are outlined in College of Liberal Arts and Sciences policies at http://www.clas.uiowa.edu/students/academic_handbook/ix.shtml.
Special accommodations: Special academic arrangements for students with disabilities may be facilitated by Student Disability Services, lower level of Burge Hall, tel. 335-1462, sds-information@uiowa.edu. If you feel you need special accommodations for any aspects of the course, please speak with me as early in the semester as possible.
Concerns: Please contact me by e-mail, by phone, or in person with any questions or concerns. University protocol calls for any concerns to be addressed to the instructors first before any higher authorities are consulted. Formal College of Liberal Arts and Sciences procedures for student complaints are available online at http://www.clas.uiowa.edu/students/academic_handbook/ix.shtml. The Leisure Studies Academic Coordinator (DEO) is Professor Ken Mobily, 408 Jefferson Building, 335-0172. The DEO of the Literature, Science, and the Arts Program and Director of the Division of Interdisciplinary Programs is Lauren Rabinovitz, 210 Jefferson Building, 335-3630.
Course Calendar
Please note: The course calendar will be modified as necessary as the semester progresses. It is your responsibility to keep abreast of calendar changes via class announcements and online changes. If you are absent on a day a reading handout is provided for a future class session, you are still responsible for acquiring the handout and preparing the reading on time.
Mon, Aug 27 – Welcome and introduction to the course
PART I – THEORIES OF PLACE
Wed, Aug 29 – Lawrence Buell, “The Place of Place,” from Writing for an Endangered World, coursepack
Mon, Sep 3 – LABOR DAY, no class
Wed, Sep 5 – Tim Creswell, Place: A Short Introduction, Chapters 1-2, pp. 1-51
Integration Paper #1 Assignment
Creswell says that place, beyond merely being a “thing,” is “a way of seeing, knowing and understanding the world.” Using the ideas of Buell, Sack, and various thinkers that Creswell discusses in his book, explore how this is true. In the course of your essay, include appropriate discussion of the “place/space” spectrum.
The goal of this paper is for you to integrate the material of the course so far--to connect the ideas into a coherent whole, as well as to explore the differences in thought. You are not required to come up with an independent, original thesis about the topic. (You can if you would like, though.) Do keep your argument cohesive, coherent, and focused, however. The goal is to integrate ideas, not merely to list them.
Length: 2-3 double spaced pages (if you really want to go longer, you can)
Due Date: Monday, September 24. You can hand in a hard copy to me or send a Word document to me via email at thomas-k-dean@uiowa.edu. I must receive all email submissions by midnight.
Mon, Sep 10 – Creswell, Chapter 3, pp. 53-79
Wed, Sep 12 – Creswell, Chapter 4, pp. 81-123
Mon, Sep 17 – Robert David Sack, “Relational Framework,” from Homo Geographicus, coursepack
PART II – THE CULTURAL PRACTICE OF PLACE
Wed, Sep 19 – Civic Engagement
William M. Sullivan, “A Public Philosophy for Civic Culture,” coursepack
Philip Selznick, “In Search of Community,” coursepack
Mon, Sep 24 – Civic Engagement
Robert Putnam, “Bowling Alone: America’s Declining Social Capital ” online at
http://xroads.virginia.edu/~hyper/DETOC/assoc/bowling.html
Amitai Etzioni, “The Road to the Good Society,” online at http://www2.gwu.edu/~ccps/etzioni/B329.html
Cornelia Butler Flora and Jan L. Flora, “Creating Social Capital,” coursepack
INTEGRATION PAPER #1 DUE
Wed, Sep 26 – Timothy Beatley, Native to Nowhere, Chapters 1-4, pp. 1-118
Application Paper #1 Assignment
Think about your relationship with place, and choose something significant about it in your life, past or present. The significant “something” could be positive or negative. It could be your relationship with a particular location/locale/community/place, or some more general issue in your experience as it relates to place.
After you’ve chosen something specific in your own life to write about and explore, think about the material of the course so far through the Beatley book. Which of the ideas we’ve discussed will help illuminate your understanding about this relationship with place that you’ve chosen? Write an essay that explores how two or three of these ideas particularly help you understand this relationship with place. At least one of the ideas must be from the first theoretical unit of our semester (Buell, Creswell, Sack).
Length: Approximately four double-spaced pages (approximately 1000 words)
Due Date: Wednesday, October 10
Mon, Oct 1 – Beatley, Chapters 5-8, pp. 119-242
Wed, Oct 3 – Beatley, Chapters 9-13, pp. 243-355
Mon, Oct 8 – Class visit by Timothy Beatley (Ida Beam Visiting Professor)
Please also attend at least one other Beatley activity:
Monday, Oct. 8, 7:00 p.m. – “Good Placemaking in Iowa City, panel discussion, Iowa City Public Library
123 S. Linn St.
Tuesday, Oct. 9, 4:00 p.m. – Student forum, 327 Jessup Hall
Tuesday, Oct. 9, 7:30 p.m. – Public lecture, “Native to Nowhere," 1505 Seamans Center (Engineering Building)
Wed, Oct 10 – Place and Story
Wendell Berry, “The Work of Local Culture,” from What Are People For?, coursepack
Leslie Marmon Silko, “Landscape, History, and the Pueblo Imagination,” coursepack
APPLICATION PAPER #1 DUE
Integration Paper #2 Assignment
Timothy Beatley concludes his book Native to Nowhere: Sustaining Home and Community in a Global Age by calling for what he calls “expanded citizenship.” Discuss what Beatley means by this concept, applying it to his various ways throughout the book of describing how we should sustain home and community, and also putting his idea of “expanded citizenship” in the context of the other materials from the second unit of our course (“The Cultural Practice of Place”). Include discussion of at least one of the writers in the “Civic Engagement” section of the unit (Sullivan, Selznick, Putnam, Etzioni, Flora) and at least one of the writers from the “Place and Story” section (Berry, Silko). Regarding Berry and Silko, you do not have to focus on the story aspect of these readings, but you certainly may. Also include (even if only briefly) some thoughts and materials from Beatley from whichever event you attended.
Length: 2-3 double spaced pages (if you really want to go longer, you can)
Due Date: Wednesday, October 24. Papers must be handed in—in person—at the beginning of the class period unless prior arrangements are made with me. I will not be accepting papers via email.
PART III – IOWA AS PLACE
A – Land and Culture
Mon, Oct 15 – America’s Lost Landscape: The Tallgrass Prairie (film viewing in class)
Bill Holm, “Horizontal Grandeur,” online at www.morris.umn.edu/services/hr/Horizontal%20Grandeur.doc
Wed, Oct 17 – The History of Our Local Prairie Landscape
Class visit by Connie Mutel, Author and Historian, IIHR-Hydroscience and Engineering
Mon, Oct 22 – Food, Agriculture, and Place in Iowa Today
Wes Jackson, from Becoming Native to This Place, coursepack
Robert L. Thayer, Jr., from LifePlace: Bioregional Thought andPractice, coursepack
Michael Pollan, “The Vegetable-Industrial Complex,” coursepack
Michael Pollan, “You Are What You Grow,” coursepack
“Home groan: Most of the food Iowans eat isn’t grown here," coursepack
Class visit by Leah Wilson, Coordinator, Johnson County Local Food Alliance
Wed, Oct 24 – Place and Story – Follow-up
Please review:
Wendell Berry, “The Work of Local Culture,” from What Are People For?, coursepack
Leslie Marmon Silko, “Landscape, History, and the Pueblo Imagination,” coursepack
INTEGRATION PAPER #2 DUE
Integration Paper #3 Assignment
As we begin our focus on Iowa and place, we have been talking about changes in the land. Regardless of whether one thinks it’s a good thing or a bad thing, there is no argument that Iowa’s native prairie landscape—indeed its ecosystem—has been fundamentally altered by agriculture in the past 150-plus years. We have also examined how these changes in the land affect us environmentally and culturally in our present, the implications for the future, and the possibilities for future change. Write a paper that explores how the changes in Iowa’s land have made an impact on Iowa as “place.” Explore how Iowa’s land has changed specifically, what the results have been (positive and/or negative), and what the future may hold (again, in positive and/or negative lights). Although you may if you wish, you do not need to take an argumentative position on any of this—as an “integration paper,” I am asking you merely to integrate the material of the course.
I will require that you include some discussion of Hamlin Garland’s Boy Life on the Prairie, some of the materials of your choice from our October 15-22 class periods (see syllabus), and some material from the prior part of the semester as you define what “place” means in terms of your discussion.
Length: 2-3 double-spaced pages
Due Date: Wednesday, November 7. Hard copy due directly from you at the beginning of the class period, unless prior arrangements are made. Sorry, I will not be accepting e-mail submissions.
B – Iowa Communities, Then and Now
Mon, Oct 29 -- Hamlin Garland, Boy Life on the Prairie, selections (Book is also on reserve at Main Library)
Chapters 1-3, pp. 1-33; Chapters 5-6, pp. 48-71; Chapter 9, pp. 93-103; Chapters 11-12, pp. 135-177;
Chapters 14-15, pp. 194-217; Chapter 17, pp. 231-251
Application Paper #2 – Iowa City Place Connection Project
Write a paper that applies some of the ideas about place that we have studied this semester to our local Iowa City-area community. Although most of you are not intending to stay in Iowa City after graduation, much place-based thinking would emphasize that, at this moment, this is indeed “your place,” and it is important that we connect to our places as deeply and as responsibly as we can no matter how long or short our residence may be. The essay could be reflective or analytical based on our reading this semester, or it could be based on an activity of your choosing.
If you choose to engage in some activity to write about, the possibilities are limited only by your imagination, but here are some suggestions:
If you choose to write about a specific activity, the paper itself should (not necessarily written in this order or organized in lockstep fashion) describe your experience, analyze how you see it as relating to the creation of place, and put it in the context of some of the ideas we have studied this semester (in other words, do include some reference to the course materials).
We will be discussing our papers in class on December 12. I am not asking that you prepare a formal presentation, but I will ask that all students share, at some length, what their papers are about.
Length: About four pages (approximately 1000 words)
Due Date: Absolute deadline is beginning of the class, Wednesday, December 12. I will accept papers only handed in in-person; I will not be accepting e-mail submissions.
Wed, Oct 31 – Garland, selections
Chapter 20, pp. 296-314; Chapter 22, pp. 330-351; Chapter 24 (partial), pp. 378-385; Chapters 25-26, pp. 389-
411; Conclusion, pp. 416-423
The Meskwaki People and Settlement
Mon, Nov 5 – The Amana Colonies
Jonathan G. Andelson, “The Community of True Inspiration from Germany to the Amana Colonies,” coursepack
Class visit by Lanny Haldy, Amana Heritage Society
Wed, Nov 7 – A Sustainable Community: Abundance Ecovillage, Fairfield
Class visit by Lonnie Gamble
INTEGRATION PAPER #3 DUE
Mon, Nov 12 – Dale Maharidge and Michael Williamson , Denison, Iowa: Searching for the Soul of America Through the Secrets of
a Midwest Town
Integration Paper #4 Assignment
Discuss challenges that Iowa communities face today in terms of “creating place.” There are many, many issues possible within several large categories: economic, cultural, social, and environmental. Given the shortness of the paper assignment, you can focus on one issue or a related few, but do keep in mind that I realize that you cannot possibly cover everything in two or three pages.
Focus your essay particularly on material from the books Denison, Iowa by Dale Maharidge and Living with Topsoil. If you wish to include material from Hamlin Garland’s Boy Life on the Prairie and material about the Amanas and/or Abundance Ecovillage/Fairfield, you may, though that is not required. As with our other integration papers, you will also need to draw on material from throughout the semester to define what “creating place” means.
Length: 2-3 double-spaced pages
Due Date: Monday, December 3. Hard copy due directly from you at the beginning of the class period, unless prior arrangements are made. Sorry, I will not be accepting e-mail submissions.
Wed, Nov 14 – Maharidge and Williamson, Denison, Iowa
Nov 19-23 -- THANKSGIVING BREAK, no class
C – Cultural Expressions of Iowa
Mon, Nov 26 – Literary Expressions of Iowa as Place
Living with Topsoil, pp. 9-50
Wed, Nov 28 – Living with Topsoil, pp. 51-87
Mon, Dec 3 – Iowa in Art
INTEGRATION PAPER #4 DUE
Wed, Dec 5 – Iowa in Film
Mon, Dec 10 – Iowa in Film
D – Iowa City as Place
Wed, Dec 12 – Discussion of Application Papers
APPLICATION PAPER #2 DUE
FINAL EXAM PERIOD – Tuesday, December 18, 7:30-9:30 a.m.