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2000 ANNUAL REPORT
INDEX

Overview

Ongoing Activities

Participants

Program Administration

New Developments

Program Support

THE INTERNATIONAL WRITING PROGRAM inaugurated the year 2000 with the re-establishment of its traditional structure as a writing residency, and the appointment of a new director, Christopher Merrill.۠The IWP continues under the administrative aegis of the Office of the Vice President for Research.۠Vice President David Skorton led the IWP through the process of selecting a new director and restructuring the program. Assistant Dean Sandra Barkan of the Graduate College served as interim administrator of the IWP during the previous school year, heading staff consisting of Program Associate Rowena Torrevillas and interim secretary Catherine Kaufman.۠In May this year, Christopher Merrill was named the Director, and he assumed his new duties shortly before the start of the International Writing Program챠33rd session.

He came to the IWP from the College of the Holy Cross in Worcester, Mass., where he taught since 1995, and where he held the William H. Jenks Chair in Contemporary Letters.۠He has published in a wide variety of literary forms, and is the author of three collections of poems, including Watch Fire, for which he received the Peter I.B. Lavan Award for younger poets from the Academy of American Poets; four book-length works of translation; several edited volumes; and three volumes of non-fiction, with a fourth volume forthcoming, all of which concern his travels through foreign lands.

The IWP conducted its thirty-third consecutive year of service to international letters with a streamlined staff.۠When Christopher Merrill joined the IWP and the University faculty, the only other fulltime administrative staff was the program coordinator, Rowena Torrevillas. At the start of schoolyear 2001-2001, Rowena Torrevillas was appointed adjunct assistant professor in the Department of English.

܃ontinuing۠ their۠roles۠in۠the۠IWP are۠Rowena Torrevillas, Program Associate since 1985, and Mary Nazareth, housing assistant for the IWP since 1973.۠ Peter Nazareth resumed his services as moderator of the IWP챠in-house readings and discussions, assisting with the class, International Literature Today; similarly, Lem Torrevillas, video coordinator previous to a new appointment in Film and Broadcasting, volunteered his services to record interviews with program writers. Prof. Shelley Berc, playwriting consultant and IWP faculty since 1996, set up highly productive venues for the IWP playwrights in November in New York and in Maine.

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The services of these current and former staff provided the IWP with a continuity that represents a total of 90 years of combined affiliation with and work experience for the program.

The program챠support staff consists of the half-time secretary, Jennifer Baum (taking the place in mid-July of the program챠temporary secretary Catherine Kaufman, who came out of retirement and had previously been affiliated with the IWP during the interim directorship of Fredrick Woodard); and two graduate assistants provided by the Graduate College, Li Yi and Jim Sidel.۠The program services were augmented throughout the year by staff from the Office of the Vice President for Research, notably Mary Schott, Carolyn Frisbie, and Larry Rettig.

Eighteen writers, representing fifteen nations, took part in the IWP this year. The United States Department of State, through the Office of International Visitors, provided operational funding and support for nine of the participants (from Argentina, Ireland, Russia, Togo, Uganda, Vietnam, and two writers from Nigeria).۠International Exchange Specialist Audrey Annette Ford was the project administrator for the Department of State.۠The other nine writers attended the program through support from agencies such as the US-Israel Educational Foundation, the Open Society Institute챠Burma Project, the Korean Culture and Arts Foundation, and the National Arts Council of South Africa. The Singapore National Arts Council inaugurated a new funding initiative with the IWP, with full subsidy for two authors. Rowena Torrevillas provided liaison arrangements throughout the nominations and grant negotiations process with these agencies, which have been IWP supporters of long standing.

The University of Iowa챠academic programs offered outstanding support for visiting scholars, particularly the South Asian Studies Program, which brought an Indian writer from Karnataka to the IWP, and the Center for Asian and Pacific Studies, which augmented the grant for the Korean writer.۠ The programs in Film Studies and Theatre Arts were instrumental in presenting the works of IWP participants and the graduate students of the Department of Spanish and Portuguese have resumed the publication Torre de Papel, which includes alumni of the IEP.

This year챠IWP also saw enhanced connections with the University챠other academic and administrative units, notably International Programs and the Graduate College.۠International Programs is resuming the spring residency for an IWP writer in 2001, a project initiated by the former Center for International and Comparative Studies director Virginia Dominguez, which brought one or two writers back to the University of Iowa for five consecutive spring semesters, culminating with the spring residency of Suchen Christine Lim (Singapore 1997); playwright Mike Finn, who represented Ireland in this year챠IWP, holds the International Programs residency in the spring term 2001.۠Christopher Merrill now serves on the executive committee of International Programs, led by Associate Provost Steven Hoch.

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New Initiatives.

 

Under Dr. Skorton, an advisory committee was constituted to guide and assist the IWP.۠Complementing the advisory committee챠administrative oversight, a vigorous fundraising campaign is underway, spearheaded by the University of Iowa Foundation.۠One major goal of the campaign is to endow the directorship, thereby opening up funds to restore and augment staff, and to endow 10 writing fellowships to ensure stability in the program챠representation.


Among the other new developments in this year챠session was housing at the Hawkeye Drive Apartments.۠Twelve two-bedroom units were leased to the IWP, and two writers shared each apartment.۠The accommodations at Family Housing provided a closer approximation of autonomous living for the writers, although the distance from campus, and lack of air-conditioning and Ethernet access, necessitated additional logistic and transportation arrangements by writers and staff.۠University administration, including Pat Boutelle of Space Planning and Utilities, Fran Burns of Information Technology Services (ITS) and Gerry Miller of the Equipment Rental Pool, were helpful in addressing these specific needs as they arose.۠The IWP has fortunately secured accommodations for the next several years in the Iowa House, the university-run hotel located in the center of campus.

 

The program offered exciting new events this year.۠The 6th Biennial Conference of the Short Story in English was held at the University of Iowa October 12-15, and the IWP participated in several conference events, including a panel discussion. Prof. Susan Lohafer was the convenor. In conjunction with the Conference, the first Paul Engle Literary Festival was launched this fall, with readings by returning writers David Toscana (Mexico, 1994) and Arnost Lustig (Czech Republic, 1970).۠Governor of Iowa Tom Vilsack issued a proclamation designating October 12 as Paul Engle Day, honoring what would have been the 92nd birthday of the co-founder of the International Writing Program.

 

Traditional elements from previous programming were also restored this year.۠The International Literature Today class was offered for three credit hours to nearly two dozen students.۠Five panel discussions took place on Wednesdays throughout the term, and were well attended. The Prairie Lights Sunday Readings were held in conjunction with the Writers럗orkshop.۠Director Merrill, with Susan Benner, taught the Interactive Translation Workshop on Friday afternoons, which focuses on the writings of the IWP. The program held screenings of films and dramatized readings of playwrights럷orks, made video interviews with approximately half the writers, and facilitated radio interviews and talks for the university and city community.۠A two-day trip to Chicago provided the writers with a chance to take in the city챠 many cultural opportunities.۠The program culminated with a ten-day period of individual travel; the State Department-supported writers completed their American sojourn at the nation챠capital, with an evaluation session in mid-November and readings in Washington D.C.

 

Prof. Shelley Berc, IWP faculty and theatre adviser, provides this report on the programming she provided for the playwrights:

 

냵ring the November travel period, playwrights from the IWP had readings at professional theatres in Portland, Maine. At Portland Repertory over 100 people came to see actors perform portions of plays and fiction monologues by Pascal Mugarra, Martin Rejtman, Motti Lerner, and Mike Finn. The theatre is considering some of these pieces for their festival of new plays next spring.۠In New York City, playwrights had portions of their works performed script in hand for an invited audience of 80 professional playwrights, artistic directors, actors and designers at the New York Theater Workshop, one of the country's most well known theatres for contemporary writers. Here plays by Pascal Mugarra, Martin Rejtman, Motti Lerner, Mike Finn, Izabella Filipiak, and H.S. Shivaprakash were presented. The playwrights also had meetings with New Dramatists artistic director Todd London and Martha Coigney, director of ITI (International Theatre Institute) and executive staff members of Theatre Communications Group. NYTW artistic director, James C. Nicola, would like to see the program of IWP writers expanded into a two-day festival of readings and discussions about their work.컯:p>

 

Shelley Berc advised playwrights on where and how to get work produced in the United States, and provided professional contacts. Writers Mike Finn, Motti Lerner, Victoria, Siok, Ogaga, Martin visited her Creativity Workshop and discussed their working methods with the students.

 

Throughout the IWP챠first session in this new century, the staunch support and hospitality of the Iowa community, which sustained the program throughout its 33 years, were abundant and constant.۠An unprecedented number of farm tours and visits highlighted the first weeks of the autumn.۠Receptions and informal gatherings were hosted by the University of Iowa Foundation and by the community, among them Firstar Bank, the Council for International Visitors to Iowa Cities, the annual community gathering hosted by Hills Bank; and numerous individuals offering hospitality, including the families of Keith and Joanne Hemingway, Larry and Wilma Rettig, Tina Bourjaily, and John and Allegra Dane. Deere and Company offered its annual tour and a steamboat ride down the Mississippi.۠The opening reception was held at the home of IWP co-founder and director emeritus Hualing Nieh Engle, with assistance of friends of the program.۠The outpouring of friendship is emblematic of the ideals that undergird the program, and indeed the mission of the IWP, which is to foster friendship among people and nations of the world.

 

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Profile of the IWP 2000 Writers.

 

Eighteen writers representing fifteen nations created a dynamic that was remarkable for its harmony, cohesiveness, sustained and persevering attention to all program events, and a high level of creative energy.

 

Balance in regional representation is one of the IWP goals that were achieved this year.۠Although no new member-nations were added to the IWP챠roster of 115 countries, eighteen writers came to Iowa City from all regions of the world.۠Africa and Asia were well represented, with each of those regions accounting for one-third of the membership (six writers each from Africa and from Asia). Eastern Europe continued is strong presence with two writers from Poland and one from Russia. Two authors attended from Latin America. Because the author from the West Bank had to cancel his participation due to illness, only one writer represented the Middle East this year; similarly, one writer represented Western Europe. Gender balance is another element we strive toward, since it is remains difficult for many women in mid-career to take three months off from professional and personal commitments to focus exclusively on their writing.۠Four of the five women this year are fiction writers, and the fifth is a playwright椮res that usually require extended periods for writing; the residency thus provided these participants with a significant block of time which they could devote to writing or research.

 

Nine of the writers identified themselves primarily as fiction writers; five as poets; two as playwrights; one as a screenwriter, and one as a critic.۠ Ten of the participants worked in more than one genre, notably the five writers who wrote plays in addition to writing criticism, fiction, or poetry.

 

The writers came to Iowa from a variety of occupations: several of them, including Singapore챠Anuar Othman, Vietnamese magazine editor Vo Thi Hao, and Irish playwright Mike Finn, maintained their journalistic responsibilities with regular bulletins and columns about their Iowa experience.۠A number of the writers are teachers: Piotr Sliwinski (Poland) and Hwang JiWoo (Korea) are university professors; Pascal Adyeeri Mugarra teaches high school students in the hill country of Uganda; Heng Siok Tian, a media resources specialist in Singapore챠ministry of education, teaches in a junior college; H.S. Shivaprakash and Izabela Filipiak conduct workshops in creative writing and drama.۠The poet who represented Brazil for a brief residency is a judge in S“o Paulo.۠

 

A number of the writers found an important additional benefit from their residency at an American university.۠During their time at the University of Iowa, they explored and applied for admission into graduate programs here and at other American institutions, to further their education in the United States following their return to their homes at the end of the Iowa residency.

 

The average age of the participants was 43.۠Several writers brought to the IWP seniority in their accomplishments: Yves-Emmanuel Dogbe of Togo is the author of over thirty volumes of work; Abubakar Gimba is the president of the Association of Nigerian Authors; Nu Nu Yee챠two dozen novels are bestsellers in Burma; H.S. Shivaprakash is the leading voice in Karnataka챠 play writing and art criticism.۠Other writers have had their work presented to high acclaim abroad, among them Martˮ Rejtman of Argentina, whose films have been shown at international film festivals, and Mike Finn, who returned to Ireland for five days in October for the premiere in Dublin of his latest play.۠

 

The overarching mission of the IWP is to create a space where dialogue between nations may have a chance to spontaneously take place. In this respect, the Israeli playwright Motti Lerner embodied that aspiration.۠This summer, while preparing for his participation, he learned of the nomination of his counterpart from the West Bank.۠He obtained the writer챠West Bank address from the IWP coordinator, in the hope that he and the Palestinian writer could arrive in Iowa City as acquaintances and colleagues.۠Unfortunately, the Palestinian writer underwent emergency surgery that precluded his participation in the IWP this year; Motti then made contact with the family in the West Bank, to offer his assistance and good wishes. It was primarily through his initiative that Motti챠hope was fulfilled: a link was forged during this crucial moment between the people of his region. ܓimilar genuine connections are made among writers during the eighty-three days spent in Iowa City.۠The books and articles about the IWP experience,
which have been written throughout the past thirty years, are a living testament that these connections, spanning the globe, are lifelong.۠

 

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Program Support.

 

The United States Department of State, through the International Visitor Program, continued its vital partnership with the IWP.۠State Department funding provided a major portion of the year챠grant support.۠Full grants were given to nine writers. Ms. Audrey Annette Ford, International Visitor Exchange Specialist, concurrently serving on the State Department챠Africa desk, was the project coordinator; her consistent and painstaking efforts were instrumental in seeing the IWP, and its partnership with the Department of State, through the past two years of transition.۠Her leadership, her astute management of resources, and her sensitive and flexible responses to the program챠evolving needs, were of tremendous value to the IWP, particularly to the IWP coordinator who worked in liaison with her.۠We are deeply grateful to the public affairs officers of the posts worldwide who selected writers of remarkable adaptability, amiable outlook, and breadth of talent for the IWP 2000.

 

The grants of individual writers were facilitated by the Office of International Visitors in Washington, D.C., and administered by the IWP and the Institute of International Education.۠The grants and travels of the USIA-supported writers were coordinated by the IIE챠Programs Coordinator for Professional Exchange Programs, Samantha Pirog.۠The Meacham Travel Service of Iowa City, under the management of Elaine Shalla, in conjunction with the University of Iowa Travel Office, provided travel arrangements for all privately sponsored writers.

 

Six writers attended the program through the IWP챠network of supporting arts agencies worldwide.۠The United States-Israel Educational Foundation provided full subsidy for renowned playwright/scriptwriter Motti Lerner.۠The Singapore National Arts Council, encouraged by the initiatives of previous Singaporean participants such as Dr. Wong Yoon Wah, provided full and generous support for two authors this year, each representing a language group in Singapore, Anuar Othman and Heng Siok Tian. Continuing its valuable support was the Burma Project of the Open Society Institute, with a full grant for fiction writer Nu Nu Yee Inwa.۠The Vitae Apoio 䫴ura, EducaSo a PromoSo Social of Brazil supported a four-day visit for poet/translator Regis Bonvicino. The Korean Culture and Arts Foundation also continued its tradition of partial subsidy, and sent a fine poet, Hwang JiWoo.۠The Alfred Jurzykowski Foundation, under the management of Ms. Bluma Cohen, provided the grant for Polish author Izabela Filipiak. Our outreach to the world is dependent upon the mission of these agencies and the dedication of the individuals who run them.

 

Several departments in the University of Iowa provided strong support with writing fellowships and augmentational funding.۠The South Asian Studies Program, through the generous outreach of Prof. Paul Greenough, enabled the remarkable participation of H.S. Shivaprakash.۠ The IWP is very grateful for the commitment we have just received from the South Asian Studies Program, toward alternating-year support for a South Indian writer.۠Prof. Jae-On Kim of the Center for Asian and Pacific Studies was instrumental in providing augmentational funds for the participation of the distinguished Korean poet Hwang JiWoo.

 

International Programs sustains its support for the IWP.۠Associate Provost for International Programs Steven Hoch has extended the support of his programs럲esources.۠The IWP spring residency, formerly known as the project, 듨rough a Writer챠Eyes,쟣ontinued this spring with a full residency for Irish playwright Mike Finn.۠Office space at the International Center has also been offered to our writers. Through International Programs, the Stanley Foundation has continued its grant support to the IWP.

 

The numerous divisional units under the Office of the Vice President for Research have extended their administrative support throughout the past year.۠Among those the IWP recognizes for their invaluable roles are Associate and Special Assistant to the President for Governmental Relations, Derek Willard and his support staff, notably Norine Zamastil; from Sponsored programs, Associate Director Gina McGee and Assistant Director Ann Donovan; and Research Administration Administrative Associate Mary Schott, who oversees the intricate finances and bookkeeping for the IWP.

 

The Office of Arts Center Relations, under the directorship of Peter Alexander, has been a source of ever-increasing support as our outreach expands.۠Assistant Director Winston Barclay has been especially instrumental in the increased visibility of the program in the media, seeking wider audiences for the writers럷orks by encouraging contact with newspapers within and outside the state.۠The ACR office also assigned a research assistant to liaise with the IWP. Peter Alexander and Winston Barclay attended all our staff meetings, to coordinate the program챠media needs.۠

 

The University of Iowa Foundation has been instrumental in guiding us through the crucial tasks of fund raising and the administration of privately raised funds. The Foundation hosted a reception at the Levitt Center to welcome Director Merrill and the visiting writers.۠President Michael New and Assistant Director for Corporate and Foundation Relations Viana Rockel and her staff are key to our vitality in this area.

 

We are very grateful for the assistance and administrative guidance of University of Iowa Provost Jon Whitmore and College of Liberal Arts Dean Linda Maxson.۠The Dean of the Graduate College, Leslie Sims, provided two half-time assistantships to the IWP for the fall semester, and he offered the administrative services of Prof. Sandra Barkan last school year. Prof. Barkan챠advice has been most helpful to Director Merrill.

 

The Writers럗orkshop, under Director Frank Conroy, continues to pool resources with the program, and during the Fall semester, organizes readings and visits by writers of note.۠ The Workshop챠program associate, Connie Brothers, is a strong source of insight and support.۠

 

We are proud to share our resources with a widening circle of related programs and departments.۠Most notable among our interactions during the semester were the South Asian Studies Program, the Department of English, the Writers럗orkshop, the faculty of Theatre Arts, the Department of Spanish and Portuguese; an individualized listing appears later.۠The Council for International Visitors to Iowa Cities and the Iowa City Foreign Relations Council, under Tom Baldridge챠executive directorship, have reached out to the writers, throughout the year as in the past.

 

We received generous support from numerous friends in the community, including Jim Harris, owner of Prairie Lights Books, who gave gift certificates to each of the writers, and provided the space and staff for our Sunday afternoon readings; Drs. Ramڮ and Victoria Lim; Dr. and Mrs. Janusz Bardach; Prof. Jae-On Kim; Bob Sierk and the staff of Firstar Bank; Cheryl McCaw and John Gerstner of Deere and Company; and all the friends who offered the warmth of their homes ﳨe Hemingways, the Danes, friends on the University staff and faculty.۠

 

The University of Iowa administration under President Mary Sue Coleman has stood by the program and steered it through its restructuring.۠The accomplishments of the IWP 2000 testify to the University챠commitment to the program and its goals.

 

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Program Staff.

 

The Program Director, Christopher Merrill, sets general directional policies, is in charge of fund-raising, and maintains the prominence of the program on campus, nationally, and abroad.۠He confers and works with other units at the University of Iowa on cooperative ventures, among them the English Department, the Program in Cinema and Comparative Literature, the Writers랊 Workshop, and International Programs.۠He holds an extensive breadth of contacts in the literary world樴hin the United States and abroad謠 the fields of publishing, broadcasting, translation, and teaching. Among his many literary commitments, he is the international book critic for Public Radio International챠daily program, 듨e World,쟡 co-production of the BBC and WGBH. His literary contacts are instrumental in providing entree to IWP writers in this country.۠In addition to his heavy schedule teaching the IWP courses and the Translation Workshop, he teaches a twice-weekly class for the writers, 듥xt and Context.He leads program events, is moderator of public presentations, and hosts the writers during their stay, while representing the program within the University administration.

 

Rowena Torrevillas is the Program Coordinator, and she manages the program챠 activities.۠She handles the IWP챠administrative aspects, beginning with the nomination process through to the planning and execution of the program챠 literary events.۠She is responsible for setting the budget and for grant administration; writes the IWP grant proposals, reports, and project descriptions; helps determine programming and schedules.۠She coordinates with the State Department and other funding agencies; liaises with university departments and other schools; arranges readings and appearances here and at other institutions; manages the travel project; oversees office staff; prepares grants and reports; organizes seminars and readings; assists with leading panels and classes, and reading the works of writers at public presentations.۠ She assists the director with communications and other aspects of program administration, and works as liaison with the community.۠Through collaborative efforts between the English Department and the Office of the Vice President for Research, she now holds an adjunct assistant professorship in English.

 

Jennifer Baum, the program secretary, joined the staff in July 2000 from a previous appointment in Human Resources.۠In addition to working with Mary Schott in maintaining the finances for the IWP, Jennifer volunteered her time and expertise for a multitude of services beyond her half-time capacity, including providing daily transportation to the writers, and helping organize field trips around the locality and to Chicago.۠In addition to maintaining the director챠increasingly congested schedule, Jennifer takes charge of the front desk, maintains the mailing lists, assists with the dissemination of program publicity.۠To her work with the Program, Jennifer has brought several years럥xperience in Hong Kong.

 

Mary Nazareth, the housing assistant, oversaw the program챠transition to housing at Hawkeye Drive, as much by her expertise as by her kindness and compassionate efficiency.ޝ More than any other person on the staff, she has charge of the writers럷ell-being, a responsibility she has carried for two and a half decades with grace and generosity.۠Hers is a job that is defined as much by its flexibility and improvisational quality as by its steadfastness.۠ The staff and the writers would be lost without her.

 

Peter Nazareth, Professor of English and African-American World Studies, has served as Adviser to International Writers and continues offering his services as moderator for the writers럩n-house discussions and conducts television and radio interviews with the writers.۠He and his wife, Mary, have the longest tenure on the IWP staff, since their association with the program dates back to the 1970챠when he himself took part in the IWP. His readings of the writers럷ork and his ready participation in the discussions are informed by openness to the thinking behind the text, and the dialogue he promotes is central to the program챠purpose.

 

The graduate assistants during the fall semester were Jim Sidel and Li Yi; Jim is a first-year student in the graduate fiction workshop, and Li Yi is a graduate student in comparative literature.۠Both GA챠helped in the initial setting-up of the housing equipment at Hawkeye Drive, and Jim gave some much-needed help behind the wheel of the IWP van for grocery runs and other driving errands.۠Jim served as liaison for the Prairie Lights readings and worked on the IWP events newsletter; he provided audio recordings for all program readings and panels, in addition to taping the Writers럗orkshop readings.۠Li Yi provided office support and was responsible for disseminating posters and fliers in all buildings across campus.

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The IWP Program is supported by a unique blend of University, State, federal and corporate resources.۠The program continues its work only because of the many unseen acts of kindness from friends and volunteers.۠All of them have reached out and brought the writers truly into the life of the community. Their loyal presence has affirmed the IWP챠efforts to bring the world to Iowa.ޝ The following lists of activities are a detailed record of the program챠activities during IWP 2000.


ACTIVITIES OF THE INTERNATIONAL WRITING PROGRAM 2000

 

 

 

The IWP Course, International Literature Today

Held each Monday at 109 English-Philosophy Building (EPB), 3:30-5:20 PM.

Taught by Christopher Merrill, assisted by Peter Nazareth and Rowena Torrevillas.

21 students were enrolled for 1 to 3 credit hours in the class during the fall semeter of schoolyer 2000-01.

 

August 25-September 11:۠Discussion of course texts, including works by Milan Kundera, Salman Rushdie, Czeslaw Milosz and others.

 

September 18: ۠Creating Multiculturally: Heng Siok Tian and Anuar Othman (Singapore)

September 25: ۠Writing Plays: Mike Finn (Ireland); Pascal A. Mugarra (Uganda); Motti Lerner (Israel).

October۠ 2:ޝޝޝ ۠Literary Criticism and Social Commentary: Piotr Sliwinski and Izabela Filipiak (Poland).

October 9:ޝޝޝ۠۠Women Writing Fiction: Nu Nu Yee (Burma); Vo Thi Hao (Vietnam); Viktoriya Fomina (Russia).

October 16:ޝޝ۠۠African Writing and Publishing: Abubakar Gimba and Ogaga Ifowodo (Nigeria); Yves-Emmanuel Dogbe (Togo).

October 23:ޝޝ۠۠Poets Teaching Drama: H.S. Shivaprakash (India); Hwang JiWoo (Korea).

October 30:ޝޝ۠۠African Literature in a Transitional Time: Zachariah Rapola (South Africa).۠Scheduled for presentation:۠Latin American Literature (Regis Bonvicino, Brazil; Martˮ Rejtman, Argentina).

 

 

PANEL DISCUSSIONS

Moderated by Christopher Merrill, Rowena Torrevillas

Held Wednesdays, 3:30-5:20 PM

at the John C. Gerber Lounge, 304 English-Philosophy Building

 

September 13: Writing a Myth: Creating a National Identity Through Literature

ޝޝޝޝޝޝޝޝޝޝޝ۠ޝޝޝޝޝ۠Motti Lerner (Israel); Abubakar Gimba (Nigeria); Piotr Sliwinski (Poland)

September 20: Playwriting and the Dialogue Between Language and Action

ޝޝޝޝޝ۠Mike Finn (Ireland); Shivaprakash (India); Motti Lerner (Israel).

September 27: Writing in a Non-Native Language

ޝޝޝޝޝޝޝޝޝޝޝ۠ޝޝޝޝޝ۠Heng Siok Tian (Singapore); Pascal Adyeeri Mugarra (Uganda); Viktoriya

ޝޝޝޝޝޝޝޝޝޝޝ۠ޝޝޝޝޝ۠Fomina (Russia); Yves-Emmanuel Dogbe (Togo).

October 4: Appropriated Voices: Writing Across Genders and Cultures

ޝޝޝޝޝޝޝޝޝޝޝ۠ޝޝޝޝޝ۠Izabella Filipiak (Poland); Ogaga Ifowodo (Nigeria); Shivaprakash (India)

October 18: Literature and Politics

ޝޝޝޝޝ۠Abubakar Gimba۠and Ogaga Ifowodo (Nigeria); Viktoriya Fomina (Russia);

ޝޝޝޝޝ۠Hwang Ji-Woo (Korea); Anuar Othman (Singapore); Nu Nu Yee (Burma).

 

 

READINGS۠BY IWP PARTICIPANTS

Prairie Lights Series (held jointly with the Writers럗orkshop) Sundays, 5:00 PM Prairie Lights Books

 

September 10ޝޝޝޝޝޝ۠Martin Rejtman (fiction, Argentina)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Joyelle McSweeney (poetry, Workshop)

 

September 17ޝޝޝޝޝޝ۠Ogaga Ifowodo (poetry, Nigeria) and Abubakar Gimba (fiction, Nigeria)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Faith Adiele (fiction, Workshop)

 

September 24ޝޝޝޝޝޝ۠HS Shivaprakash (poetry, India)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Jacinda Townsend (fiction, Workshop)

 

October 1ޝޝޝޝޝޝޝޝޝޝ Pascal Adyeeri Mugarra (fiction, Uganda)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Cody Petterson (poetry, Workshop)

 

October 8ޝޝޝޝޝޝޝޝޝޝ Anuar Othman (fiction, Singapore) and Heng Siok Tian (poetry, Singapore)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Jim Sidel (fiction, Workshop)

 

October 15ޝޝޝޝޝޝޝޝޝ Viktoriya Fomina (fiction, Russia)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Aaron McCullough (poetry, Workshop)

 

October 22ޝޝޝޝޝޝޝޝޝ Nu Nu Yee (fiction, Burma) and Vo Thi Hao (fiction, Vietnam)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ David Rosenthal (poetry, Workshop)

 

October 29ޝޝޝޝޝޝޝޝޝ Izabela Filipiak (fiction, Poland)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Eduardo C. Corral (poetry, Workshop)

 

November 5ޝޝޝޝޝޝޝޝ Yves-Emmanuel Dogbe (fiction, Togo)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Sarah McCann (poetry, Workshop)

 


Other Readings

 

October 17ޝޝޝޝޝޝޝޝޝ IWP Playwrights at the Seacrest Residences

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Readings of works by Mike Finn (Ireland); Motti Lerner (Israel) ;

Shivaprakash (India); Heng Siok Tian (Singapore); Pascal Adyeeri Mugarra (Uganda).

Readings performed by Theatre Arts faculty Carol MacVey, Bill Lee, Ladd Brown.

 

October 16ޝޝޝޝޝޝޝޝޝ Film screening and discussion, 40 Schaeffer Hall: Kastner챠Trial, screenplay by Motti Lerner (Israel); an award-winning Israeli television mini-series.

 

October 24ޝޝޝޝޝޝޝޝޝ Film screening and discussion, 101 Becker Communications Studies Building: Silvia Prieto, award-winning feature film by Martˮ Rejtman (Argentina).۠Co-sponsored by the Institute for Cinema and Culture, Department of Cinema and Comparative Literature, Department of Spanish and Portuguese, and the Latin American Studies Program.

 

First Paul Engle Memorial Readingޝޝޝޝޝޝ Oct.11, Richey Ballroom

David Toscana, fiction writer (Mexico, IWP 1994)

Arnost Lustig, fiction writer (Czech Republic, IWP 1970) ޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

 

Reading by IWP Alumnus, sponsored by IWP

Teresa Arijڮ & B·rbara Belloc (Argentina, IWP 1995),ޝ Oct. 19, Will Bill챼span style="mso-spacerun: yes">ޝޝ۠Coffeeshop, Room 321, North Hall.۠Translations read by translator and former IWP staff translator Hillary J. Gardner.

 

Sixth International Conference on the Short Story in Englishޝ October 12 - 15

Readings:

 

Stuart Dybek, Aleksander Hemon, ޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Oct. 12,۠Richey Ballroom, 1:30 PMޝ ޝ۠

ޝ۠ Christopher Merrill, Janette Turner Hospitalޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠۠ޝޝޝޝ۠

Clark Blaise, Ethan Canin, James McPherson,ޝޝޝޝޝ۠ Oct. 12, Richey Ballroom, 8:30 PMޝ۠

ޝ Tobias Wolffޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ ޝ۠

Ellen Douglas, Deborah Eisenberg, Francineޝޝޝޝޝޝ۠ Oct. 13, Richey Ballroom, 4:30 PM

ޝ Proseޝޝޝޝޝ۠, Olive Seniorޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ޝ۠

Frederick Busch, Robert Olen Butler, Richard ޝޝޝޝޝ۠ Oct. 13, Richey Ballroom, 8:30 PM

ޝ Ford, Bharati Mukherjee (work read by ޝޝޝޝޝޝޝޝ۠ ޝ Clark Blaise)

Frank Conroy, Amiri Baraka, Chris Offuttޝޝޝޝޝޝޝޝޝ Oct. 14, Richey Ballroom, 8:30

 

 

Panel Discussion:

IWP panel on fiction writing and publishingޝޝޝޝޝ October 15, 2nd Floor Ballroom, IMU, 10:30 AM

Viktoriya Fomina, Anuar Othman, Heng Siok Tian, Pascal Mugarra. Moderated by Christopher Merrill.

ۼ/span>ޝޝޝޝޝޝޝޝޝޝޝ

Readings۠Co-Sponsored by the IWP and the Writers럗orkshop

 

James Salter, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Sept. 15, Shambaugh Auditorium

Philip Levine, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Sept. 22, Shambaugh Auditorium

Agha Shahid Ali, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Oct. 5, 221 Chemistry Bldg.

Anthony Hecht, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Oct. 26, 221 Chemistry Bldg.

Michael Palmer and Regis Bonvicino, poetry۠Oct. 28, 101 BCSB

 

Readings Sponsored by the Writers럗orkshop and Attended by IWP Participants

 

Aleksander Hemon, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Aug. 28, Prairie Lights Books

Iowa Review Reading, with David Hamilton,

Marvin Bell, Rowena Torrevillasޝޝޝޝޝޝޝޝޝޝ Aug. 29, Prairie Lights Books

Steven Sherrill, fictionޝޝޝޝޝޝޝޝޝޝޝޝ ޝޝޝޝޝ۠Sept. 1, Prairie Lights Books

Tucker Malarkey, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Sept. 7, Prairie Lights Books

Fanny Howe, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Sept. 14, Van Allen Hall II

Richard Jackson, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Sept. 18. 101 BCSB

Alan Lightman, fictionޝޝޝޝޝޝޝޝޝޝޝޝ ޝޝޝޝޝ۠Sept. 26, Prairie Lights Books

Doug Powell, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Sept. 27, Prairie Lights Books

Bob Perelman, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Sept. 30, Shambaugh Auditorium

Stephen Bloom, non-fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Oct. 5, Prairie Lights Books

Will Self, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Oct. 18, Prairie Lights Books

Kyoko Mori, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Oct. 19, Prairie Lights Books

John Yau, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Oct. 20, 101 BCSB

Steven Kuusisto, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Oct. 24, Prairie Lights Books

Michael Chabon, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Oct. 25, Prairie Lights Books

Ahdaf Souief, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Oct. 31, Prairie Lights Books

Madison Smartt Bell, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Nov. 3, Prairie Lights Books

Joy Williams, fiction\ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Nov. 3, Prairie Lights Books

Sally Keith, poetryޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Nov. 7, Prairie Lights Books

Chad & Elizabeth Oness,

poetry and fictionޝޝޝޝޝޝޝޝޝ۠ޝޝޝޝޝޝޝޝޝޝޝ۠Nov. 8, Prairie Lights Books

Ellen Douglas۠& Mark Levine,

fiction & poetryޝޝޝޝޝ ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Nov. 15, Shambaugh Auditorium

John McNally, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Nov. 16, Prairie Lights Books

Mona Simpson, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Nov. 17, Prairie Lights Books

Jane Hamilton, fictionޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Nov. 28, Prairie Lights Books

 

Meeting with a Literary Agent Beth Vesel, literary agent with Stanford Greenburger Associates:۠Question-and-Answer Session organized by the Writers럗orkshop,

October 26, 1:00 PM, in the North Lounge, Currier Hall.

 

Field Trips, Receptions, Cultural Events

 

Orientation Meetingޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Tuesday, August 29th.

Welcoming Dinner ޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Wednesday, August 30th, Engle home

Hill챠 Bank Barbecueޝޝޝޝޝޝޝޝޝޝޝޝޝ Friday, September 1st


Labor Day Barbecue ޝޝޝޝޝޝޝޝޝޝޝޝޝ Monday September 4th, Merrill home

Library Tour ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Tuesday September 5th,

Reception, UI Pressޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Wednesday September 6th,

Amana Coloniesޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Saturday, September 16th, Rettig home

CIVIC Picnicޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Thursday, September 21st

Foundation Reception ޝޝޝޝޝޝޝޝޝޝޝ۠Thursday, September 28th, Levitt Center

Conf. on Craft, Critique and Culture۠Friday September 29th,

Pilobolus Performanceޝޝޝޝޝޝޝޝޝޝޝ۠Friday September 29th, Hancher Auditorium

Hemingway Farmޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Saturday, September 30th

Presidential Debate ޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Tuesday, October 3d, Nazareth home

Tour, UI Center for the Bookޝޝޝޝޝޝޝ Thursday, October 5th

Center for the Book get-togetherޝޝޝޝ Friday, October 6th.

Dinnerޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Sunday, October 8th, Barkan home

Effigy Mounds field tripޝޝޝޝޝޝޝޝޝޝ۠Tuesday, October 10th.

Group Photoޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Wednesday, October 11th.

Paul Engle Memorial Readingsޝޝޝޝޝ Wednesday, October 11th.

Short Story Conferenceޝޝޝޝޝޝޝޝޝޝޝ Friday, October 13th-15th

John Deere/Mississippi Boat Rideޝޝޝ Thursday, October 19th

Redbird Farm/Nature walkޝޝޝޝޝޝޝޝ۠Saturday, October 21st, Bourjaily farm

Firstar Bank Receptionޝޝޝޝޝޝޝޝޝޝޝ۠Monday, October 23d

Dane Family Farm visitޝޝޝޝޝޝޝޝޝޝޝ Sunday, October 29

Presentation to Mayor Lehmanޝޝޝޝޝ۠Tuesday, October 31st.

Chicago Field Tripޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Wednesday, November 1st-2nd.

Writers랊 Potluckޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Friday, November 3d.

Closing Partyޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Saturday, November 4th, Merrill home

 

 

PRESENTATIONS۠GIVEN AND CLASSES VISITED BY IWP WRITERS AT THE UNIVERSITY OF IOWA AND IN IOWA CITY and at OTHER UNIVERSITIES AND INSTITUTIONS IN THE UNITED STATES

 

Yves-Emmanuel DOGBE (Togo)

 

at the University of Iowa

September 15ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ French Department: talk, "My Literary Itinerary"۠

September 26ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Open-Mike Reading, extracts from "L'IncarcDzƦquot;

Septemb 27ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Writing in a Non-Native Language."

October 16ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit. Today class, "Writing and Publishing in Africa"
October 29ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Prairie Lights Books, fiction reading.

 

ۼ/span>at Other Universities and Institutions

October 26ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Hamilton College, Cedar Rapids: talk, "Globalization and Its Impact on African Cultures"

Novermber 7ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ University of Norther Illinois (DeKalb): talk.

November 8ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Howard University (Washington, D.C.): talk at conference: "The Role of African Writers in Africa Today."

 

 

at the University of Iowa

October 4ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Appropriated Voices: Writing Across Genders and Cultures"

October 5ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Women's Studies: lecture in class

 

Mike FINN (Ireland)

 

at the University of Iowa

September 20ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel discussion, "Playwriting and the Dialogue Between Language and Action"

September 25ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ International Lit Today class, on playwriting

October 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ IWP Playwrights at Seacrest Barn: play reading

at Other Universities and Institutions

November 6ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ New York Theatre Workshop: staged reading of play.

November 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Portland Stage Company: staged reading of play.

November 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Hirschhorn Gallery, Washington, DC: reading fragment of play

Also visited Boston and San Francisco

 

Viktoriya FOMINA (Russia)

 

at the University of Iowa

September 27ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel discussion, "Writing in a Non-Native Language"

October 9ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit Today class, "Women Writing Fiction"

October 14ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ 6th International Conference of the Short Story: panel presentation.

October 15ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books, fiction reading

October 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ IWP Playwrights at Seacrest Barn: reading of short play

October 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Literature and Politics"

 

at Other Universities and Institutions

November 6ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ New York Theatre Workshop: staged reading of play.

November 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Portland Stage Company: staged reading of play.

November 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Hirschhorn Gallery, Washington, DC: reading fragment of play

Also visited Los Angeles and San Francisco

 

Abubakar GIMBA (Nigeria)

 

at the University of Iowaޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

ޝޝ۠ September 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel Discussion, "Writing a Myth"

ޝޝ۠ September 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Prairie Lights Books, fiction reading.

ޝޝ۠ September 29ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Attended Creativity Workshop of Prof. Berc.

ޝޝ۠ October 16ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠International Literature Today class, "On African Writing and Publishing"

ޝޝ۠ October 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Panel Discussion, "Literature and Politics"

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

at Other Universities and Institutionsޝޝޝޝޝ۠

ޝޝ۠ October 26ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Hamilton College, Cedar Rapids, Iowa: panel on Africa, 10/26.ޝޝޝޝ

ޝޝ۠ October 9 -11ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ University of Cincinnati (Cincinnati, OH): reading poetry and fiction to students and faculty.

ޝޝ۠ Also visited the Washington Independent Writers (Washington, D.C.), witnessed the election procedures in Washington, D.C., and various sites of interest.

 

HENG Siok Tian (Singapore)

 

at the University of Iowaޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

September 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ International Lit Today class, "Creating Multiculturally"

September 27ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel discussion, "Writing in a Non-Native Language"

September 27ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Attended Creativity Workshop of Prof. Berc

October 8ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books, poetry reading.

October 14ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ 6th International Conference of the Short Story: panel presentation.

October 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ IWP Playwrights at Seacrest Barn: reading of short play, A Tiny Cupboard

 

 

at Other Universities and Institutions

October 25ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ West High School, Iowa City: visited Library and talked to the school's Librarian and Media Specialist

November 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ American College Testing: visited Media Education Specialist

 

Vo Thi HAO (Vietnam)

 

at the University of Iowa

October 9ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit Today class, "Women Writing Fiction"

October 22ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books, fiction reading

 

at Other Universities and Institutionsޝޝޝޝޝ۠

October 25-27ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ San Francisco State University: spoke to students and met with Vietnamese community

November 7ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ William Joiner Center, University of Massachusetts (Amherst): talk and visit

November 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ The Writers' Center, Bethesda (Maryland): fiction reading

 

Vo Thi Hao visited museums and sites of cultural interest in New York City and Washington, D.C.

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

HWANG JiWoo (Korea)

 

at the University of Iowaޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

October 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Literature and Politics": presented a paper on "A Shadow Motion as Resistance."

October 23ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit Today class, "The Poet in Our Mass-Culture Society"

November 5ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books, poetry reading

 

each Friday, Sept. 9-Nov.3ޝޝޝޝޝޝޝޝޝޝ Attended IWP Translation Workshop

 

at Other Universities and Institutions

ޝޝ۠ November 6-9ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Santa Fe, New Mexico, Writing Center: poetry reading

 

 

at the University of Iowaޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

September 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books: poetry reading

October 4ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Appropriated Voices: Writing Across Genders and Cultures"

October 16ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Internation Lit Today class, presentation

October 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Literature and Politics"

October 20ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ African Literature class of Prof. Peter Nazareth: talk and readings

 

at Other Universities and Institutions

November 1ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ New York City: book party for Step Into a World: A Global Anthology۠ (ed. Kevin Powell, pub. John Wiley & Sons), featuring poem "You Were Chic Now, Che."

November 3-4ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Bard College (Annandale, NY): took part in International Celebration of Chinua Achebe at 70.

November 8ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Columbia University (NY): Met with Lucie Brock-Broido, poetry coordinator of the School of Writing.۠Met Michael Scammell, faulty for non-fiction at Columbia and chair of P.E.N. USA.

November 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Bethesda Writers' Center (MD): reading

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

Motti LERNER (Israel)

 

at the University of Iowa

September 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel Discussion, "Writing a Myth: Creating a National Identity Through Literature"

September 20ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel Discussion, "Playwriting and the Dialogue Between Language and Action"

September 25ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ International Lit Today class, on writing plays

October 3ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Open Mike reading, songs from plays

October 16ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Film screening, Kastner's Trial

October 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ IWP Playwrights at Seacrest Barn: reading of play

 

at Other Universities and Institutions

ޝޝޝ November 5ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ New York Theatre Workshop: play reading

ޝޝޝ November 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Portland Stage Company (ME): play reading

ޝޝ۠

ޝޝޝ Lectures on political playwriting atޝޝޝ۠ Dartmouth

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Emerson College

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ McGill University (Canada)

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ University of Southern California

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Columbia University

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ New York Univesity

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Yale University

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Emory University

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Geogetown University

 

Pascal Adyeeri MUGARRA (Uganda)

 

 

at the University of Iowaޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

September 25ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ International Lit Today class, on playwriting

September 27ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel Discussion, "Writing in a Non-Native Language"
October 1ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠Prairie Lights Books: fiction reading

October 14ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ 6th International Conference of the Short Story: panel presentation on short story in Uganda

October 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ IWP Playwrights at Seacrest Barn: reading of play

October 20ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Met with Playwrights' Workshop

at Other Universities and Institutions

October 26ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Hamilton College, Cedar Rapids: panel, "Globalization and African Cultures in the 21st Century"

November 6ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ New York Theatre Workshop: staged reading of play.

November 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Portland Stage Company: staged reading of play.

November 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Hirschhorn Gallery, Washington, DC: fiction reading

 

Also visited Orlando, FL, to observe Kennedy Space Center, Universal Studios and EPCOT

 

 

Anuar OTHMAN (Singapore)

 

at the University of Iowa
September 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ International Lit Today class, presentation on writing multiculturally

October 8ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books, fiction reading

October 14ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ 6th International Conference on the Short Story: panel presentation

October 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Literature and Politics"

 

at other Universities and Institutions

October 15ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Cedar Rapids Islamic Centre: talk on Muslims in Singapore

 

Zachariah RAPOLA (South Africa)

 

at the University of Iowa

October 30ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit Today class, presentation on literature of South Africa

November 5ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books, reading

 

at Other Universities and Institutions

November 15-20ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Claremont College (CA): lectures and readings

 

 

Martin REJTMAN (Argentina)

 

at the University of Iowa

September 10ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Prairie Lights Books, fiction reading

October 24ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Film screening of Silvia Prieto

 

at Other Universities and Institutions

October 26ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Grinnell College (IA): lectures

November 6ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ New York Theatre Workshop: staged reading of play.

November 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Portland Stage Company: staged reading of play.

November 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Bethesda Writers' Center: fiction reading

 

 

H.S. SHIVAPRAKASH (India)

 

at the University of Iowa

September 20ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel discussion, "Playwriting and the Dialogue Between Language and Action"

September 24ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Prairie Lights Books, poetry reading

October 4ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Panel discussion, "Appropriated Voices: Writing Across Genders and Cultures"

October 23ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit Today class, "Poets Teaching Drama"

 

 

at Other Universities and Institutions
October 28ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠University of Wisconsin, Madison, South Asian Studies Department: lecture

November 8ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Columbia University, South Asian Department: lecture

November 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Rockville (MD), Bhoomika (Indian theatre association): spoke to members on Indian theatre

November 18ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Renaud Actors' Group, Oakland (CA): lecture on Indian Theatre

November 22ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Washington University, St. Louis (MO): hourlong exchange with Prof. Henry Schvey, Department of Performing Arts

 

 

Piotr SLIWINSKI (Poland)

 

at the University of Iowa

September 13ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ Panel discussion, "Writing a Myth: Creating a National Identity Through Literature"

October 2ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit Today class, presentation on contemporary nonfiction writing in Poland

October 22ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books: reading

 

 

 

at other Universities and Institutions

October 27ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ University of Illinois at Chicago, Department of Slavic and Baltic Languages and Literatures: visited class.

October 31ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ University of Chicago, Department of Slavic Languages and Literatures: lecture

November 17ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Writers' Center, Bethesada (MD): reading

 

Nu Nu YEE (Burma)

 

at the University of Iowa

October 9ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ International Lit Today class, "Women Writing Fiction"

October 22ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Prairie Lights Books, fiction reading

attended all International Literature Today classes and panel presentations.

 

at other Universities and Institutions

October 12 - 15ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ University of Northern Illinois (DeKalb, IL): attended the Burmese Studies Conference and participated in many panels about Burmese culture, politics, and literature.۠Also performed Burmese singing and Burmese dance.

November 6ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Burma Project, Open Society Institute, New York City: visit

 

  Top

INTERNATIONAL WRITING PROGRAM 2000

 

Argentinaޝޝޝޝ (Mr.) Martin REJTMANޝޝޝޝޝޝޝޝޝޝ۠  fiction writer, screenwriter, filmޝޝޝޝޝ

ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠    directorޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

Brazilޝޝޝޝޝޝޝ (Mr.) Rǧis Rodrigues BONVICINOޝ poet, translatorޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

Burmaޝޝޝޝޝޝ۠ (Ms.) Nu Nu YEEޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝۦnbsp;  fiction writerޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

Indiaޝޝޝޝޝޝޝ۠ (Mr.) H.S. SHIVAPRAKASHޝޝޝޝޝޝ   poet, playwright

Irelandޝޝޝޝޝޝ (Mr.) Mike FINNޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ   playwrightޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

Israelޝޝޝޝޝޝޝ۠ (Mr.) Motti LERNER ޝޝޝޝޝޝޝޝޝޝޝޝ۠  playwright, screenwriterޝޝޝޝޝޝޝޝޝޝ۠

Koreaޝޝޝޝޝޝޝ (Mr.) HWANG Ji-Wooޝޝޝޝޝޝޝޝޝޝޝ۠ poetޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

Nigeriaޝޝޝޝޝޝ (Mr.) Ogaga IFOWODOޝޝޝޝޝޝޝޝޝޝ  poetޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

ޝޝޝޝޝޝޝޝޝޝޝ۠ (Mr.) Abubakar GIMBAޝޝޝޝޝޝޝޝޝޝ۠   fiction writerޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

Poland ޝޝޝޝޝ۠(Mr.) Piotr SLIWINSKIޝޝޝޝޝޝޝޝޝޝޝ  poet, critic, professorޝޝޝޝޝޝޝޝޝޝޝޝޝ

ޝޝޝޝޝޝޝޝޝޝޝ۠ (Ms.) Izabela FILIPIAKޝޝޝޝޝޝޝޝޝޝۦnbsp;   fiction writer, playwright, criticޝޝޝޝޝ۠

Russiaޝޝޝޝޝޝ۠ (Ms.) Viktoriya A. FOMINAޝޝޝޝޝޝޝ  fiction writerޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

Singaporeޝޝޝ۠ (Ms.) HENG Siok Tianޝޝޝޝޝޝޝޝޝޝޝ۠   poet, playwright ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

ޝޝޝޝޝޝޝޝޝޝޝ۠ (Mr.) Anuar OTHMAN ޝޝޝޝޝޝޝޝޝޝ۠   fiction writerޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

South Africaޝ۠(Mr.) Zachariah RAPOLAޝޝޝޝޝޝޝޝޝ    poetޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ

Togoޝޝޝޝޝޝޝ۠ (Mr.) Yves-Emmanuel DOGBEޝޝޝޝޝ   fiction writerޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠

Ugandaޝޝޝޝޝ۠ (Mr.) Pascal Adyeeri MUGARRAޝޝޝ   fiction writer, playwrightޝޝޝޝ

Vietnamޝޝޝޝޝ (Ms.) Vo Thi HAOޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠    fiction writer, journalistޝޝޝޝޝ۠ ޝޝޝޝޝ۠


IWP 2000 Roster by Funding

 

ޝޝޝޝޝ۠

Argentinaޝޝޝޝ (Mr.) Martin REJTMANޝޝޝޝޝޝޝޝޝޝ۠ US Department of Stateޝޝޝޝޝޝޝޝޝޝޝ

Brazilޝޝޝޝޝޝޝ (Mr.) Rǧis Rodrigues BONVICINO ۠ Vitae, Apoio 䫴ura, Educa!o e ޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ ޝޝޝޝޝ۠ޝޝ

Promo!o Social

Burmaޝޝޝޝޝޝ۠ (Ms.) Nu Nu YEEޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ Open Society Institute, BurmaProject

Indiaޝޝޝޝޝޝޝ۠ (Mr.) H.S. SHIVAPRAKASH ޝޝޝޝޝ۠University of Iowa, South Asia Studies Program; IWP

Ireland ޝޝޝޝޝ۠(Mr.) Mike FINNޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝޝ US Department of Stateޝޝޝޝޝ

Israelޝޝޝޝޝޝޝ۠ (Mr.) Motti LERNER ޝޝޝޝޝޝޝޝޝޝޝޝ۠ United States-Israel Educational Foundation

Koreaޝޝޝޝޝޝޝ (Mr.) HWANG Ji-Wooޝޝޝޝޝޝޝޝޝޝޝ۠ Korean Culture and Arts Foundation; University of Iowa, Center for۠Asian and Pacific Studies; IWP.

Nigeriaޝޝޝޝޝޝ (Mr.) Ogaga IFOWODOޝޝޝޝޝޝޝޝޝޝ US Department of Stateޝޝޝޝޝޝޝޝޝޝޝ

ޝޝޝޝޝޝޝޝޝޝޝ۠ (Mr.) Abubakar GIMBAޝޝޝޝޝޝޝޝޝޝ۠ US Department of Stateޝޝޝޝޝޝޝޝޝޝޝ

Poland ޝޝޝޝޝ۠(Mr.) Piotr SLIWINSKIޝޝޝޝޝޝޝޝޝޝޝ US Department of Stateޝޝޝޝޝޝޝޝޝޝޝ

ޝޝޝޝޝޝޝޝޝޝޝ۠ (Ms.) Izabela FILIPIAKޝޝޝޝޝޝޝޝޝޝ۠ Alfred Jurzykowski Foundation, Inc.۠

Russiaޝޝޝޝޝޝ۠ (Ms.) Viktoriya A. FOMINAޝޝޝޝޝޝޝ US Department of Stateޝޝޝޝޝޝޝޝޝޝޝ

Singaporeޝޝޝ۠ (Ms.) HENG Siok Tianޝޝޝޝޝޝޝޝޝޝޝ۠ Singapore National Arts Council ޝޝޝ۠

ޝޝޝޝޝޝޝޝޝޝޝ۠ (Mr.) Anuar OTHMAN ޝޝޝޝޝޝޝޝޝޝ۠ Singapore National Arts Council
South Africaޝ۠(Mr.) Zachariah RAPOLA ޝޝޝޝޝޝޝޝ۠National Arts Council of South Africa; personal funds.
Togoޝޝޝޝޝޝޝ۠(Mr.) Yves-Emmanuel DOGBEޝޝޝޝޝ US Department of Stateޝޝޝޝޝޝޝޝޝޝޝ

Ugandaޝޝޝޝޝ۠ (Mr.) Pascal Adyeeri MUGARRAޝޝޝ US Department of Stateޝޝޝޝޝ

Vietnamޝޝޝޝޝ (Ms.) Vo Thi HAOޝޝޝޝޝޝޝޝޝޝޝޝޝޝ۠ US Department of State

 

 

IWP Advisory Committee

 

Jae-On Kim (committee chair), Center for Asian and Pacific Studies

Sandra Barkan, Graduate College

Virginia Dominguez, Anthropology Department

Prasenjit R. Gupta, University of Iowa Press

James A. McPherson, Writers럗orkshop

Adalaide Morris, Department of English

Alan Nagel, Cinema and Comparative Literature

Victoria Rovine, Museum of Art

Jay Semel, Obermann Center for Advanced Studies

Downing Thomas, Department of French & Italian
Larry Rettig, Office of the Vice President for Research
Jim Sidel, graduate student representative to the IWP
Hualing Nieh Engle (director emeritus, IWP)
Christopher Merrill (director, IWP)

 

INTERNATIONAL WRITING PROGRAM 2000

Biographic Information

 

 

Rǧis Rodrigues BONVICINO (poet, Brazil; b. 1955, S“o Paulo) is one of Brazil챠leading voices in poetry. He is the author of several poetry collections, among them Sky-Eclipse: Selected Poems (translated by Michael Palmer, Guy Bennett, Robert Creeley, and others; Green Integer Press, Los Angeles, 1999); ۼ/span>Butterfly Bones (S“o Paulo, 1996); Outros Poemas (S“o Paulo, 1993); 33 Poems (S“o Paulo, 1990). He made his literary debut in 1975 with Bicho Papel (Paper Creature). With Michael Palmer and Nelson Ascher, he edited the anthology Nothing the Sun Could Not Explain : 20 Contemporary Brazilian Poets (Sun & Moon Press, 1997), and has published numerous essays, reviews, and translations. Such critics as Marjorie Perloff and Max Winter have praised the surprising richness and innovative qualities of his work. He is currently collaborating with Michael Palmer on translating a poetry anthology.۠Mr. Bonvicino is a judge in S“o Paulo. He will join the International Writing Program in the middle of October. His website can be found at http:sites.uol.com.br/regis/home.htm.۠His participation in the program is supported by the Vitae Foundation of Brazil.۠His name is pronounced /rheh۠ZHEESޝ BOH vee CHEE noh/.

 

Yves-Emmanuel DOGBE (novelist, Togo; b. 1939, Lome) is director of Edition Akpagnon in Lome, and previously served as consultant for the UNESCO in Paris and as professor of sociology at Togo챠Ecole National d쀤ministration and at the University of Benin. He is the author of thirty books, including the novels La Victime۠(1979) and Le Miroir (1979) and many important essays. Dr. Dogbe has been writing for many years, since he was a high school teacher; after a hiatus due to political problems, he established a publishing operation, Edition Akagnon, which helps to promote the works of young writers.۠He holds the doctorate in sociology from the University of Paris, Sorbonne V.۠Dr. Dogbe has attended numerous conferences in Europe and traveled extensively in neighboring African nations.۠He is taking part in the IWP through a grant from the U.S. Department of State. His name is pronounced /eev۠eh mahn WEL۠DOG beh/.۠

 

Izabela FILIPIAK (fiction writer, playwright, critic, Poland; b. 1961, Gdynia) leads the Memory Project of the University of Warsaw챠gender studies department and teaches the history of foreign literature.۠In addition to teaching, her prolific career includes literary commentary, writing novels, and writing and directing plays. She initiated Poland챠earliest creative writing workshops. She writes monthly columns for Gazeta Wyborcza, the Polish edition of Marie Claire, and Pani.۠ Her numerous publications include the novel Absolute Amnesia (1995), a fiction collection, Blue Menagerie (1997), and monographic studies and a 4-act play, The Book of Em۠(1999) based on the Polish literary figure Maria Komornicka.۠After being granted political asylum in the United States in 1986, she wrote, directed, and appeared in a one-person play, Hollywood, at the Open Center in New York and took courses in drama, playwriting and directing.۠She returned to Poland in 1996, where she resumed her active literary career.۠She holds the MA in literature from the University of Gdaѳk.۠The Alfred Jurzykowski Foundation is providing her support to attend the IWP. Her name is pronounced /eezah BEL ahޝ fee LEEP yahk/.

 

Mike FINN (playwright, Ireland; b. 1963, Limerick) has been honored by his countrymen for his abilities to interpret the dynamics of the old/new Ireland. Culturally engaged in a context of nostalgia for a troubled history and for the promise of a brilliant future, he represents the 뮴her voice of the new and buoyant Ireland.쟈is playPigtown was selected for presentation in the prestigious international Dublin Fringe Theatre Festival for October 2000, and he recently took part in the annual Stewart Parker Trust workshop at the Tyrone Guthrie Center in Ireland. His other honors include the special award this year from the Limerick Corporation for 뎵tstanding Contribution to the Culture Life of the City.쟓ince 1980, Mr. Finn has been involved in cultural communication, as producer for Big L Radio, freelance press photographer, Founder-Director of the Island Theatre Company and the Umbrella Project Street Theatre Company, weekly columnist for the Limerick Post, and actor in over 30 theatre productions as well as television and films. His other plays include The Crunch (1992), Charlie Chaplin챠Mother Was an Irishman۠(1995), Nevereverland (1998), and The Affair in the Square (2000). The U.S. Department of State provides his participation in the IWP.

 

Viktoriya Anatolyevna FOMINA (fiction writer, Russia; b. 1965, Nalchik) is considered a rising talent in Moscow literary circles. Her recently published collection of short stories was nominated for one of the highly rated 뀮ti-Booker잊 awards in 1999 and received critical acclaim. Her stories have received awards in two Internet literary competitions, have been translated into Italian and German, and are included in a recent German anthology of the best prose by young Russian writers. Her readings on the radio programs 닩berty쟡nd 둥sonance쟡re very popular with Russian audiences. Her work has appeared in prestigious Russian journals, including Znamya, Druzhba Narodov, Vremya۠1 My, and Strelets.۠She was educated at the Moscow Literary University and the Moscow Art Theater School; she is a member of the Union of Writers of Moscow.۠ The US Department of State is supporting her participation in the IWP. Her surname is pronounced /FOH mee nah/.

 

Abubakar GIMBA (fiction writer, Nigeria; b. 1952, Nasarawa) is the national president of the Association of Nigerian Authors and chairman of the Concern Foundation and Savannah Publications Ltd.۠ He is the author of several novels, including Witness to Tears; Trail of Sacrifice ; Innocent Victims; Sunset for a Mandarin, and Golden۠Apples.۠ Mr. Gimba was previously executive director of the Union Bank of Nigeria and permanent secretary in Nigeria챠Ministry of Finance and Economic Planning.۠He holds a master챠degree in economics from the University of Cincinnati, and has traveled extensively throughout Europe, Southeast Asia, and the Middle East.۠ He is taking part in the IWP on a grant from the U.S. Department of State. His name is pronounced۠/ah BOO bah kar۠GEEM bah/.

 

Vo Thi HAO (fiction writer, Vietnam; b. 1956, Nghe An Province) is the Hanoi bureau chief of the HCMC Women챠Newspaper. When her stories began appearing in magazines in the early 1990챬 the public rushed to read them, drawn by her original style, which is described as 럠combination of observation, sympathy, strong feminism, and frankness and great courage in pinpointing social problems.컳pan style="mso-spacerun: yes">۠ She has written a large body of stories, many of which have been made into films and plays. Her work, which has been translated into English, French, and Japanese, has received major national recognition. Her work as a journalist is also notable for its strength and candor.۠ Ms. Hao챠publications include the short story collectionsThe Sea-Savior from Idleness (1991), Selected Collection of Short۠Stories (1996; recipient of the Vietnam Writers럕nion챠Five-Year Hanoi Literary Award); Held-Back Laughter (1998); The Owl챠Sleep (1999; for young adults); The Green Goddess (2000; for children) and Horror Stories and The Devil챠Night Party (forthcoming this year).۠Her participation is supported by the U.S. Department of State. Her name is pronounced /voh tee how/.

 

HENG Siok TianMy City, My Canvas (1999) and ۼ/span>Crossing the Chopsticks and Other Poems (1993).۠Her work has appeared in major anthologies of the region, including .۠She is the recipient of awards for poetry and short story competitions at the National University of Singapore, and a scholarship for advanced studies from the Ministry of Education.۠She holds the MA in English literature from the National University, and a diploma۠from the Alliance Francaise. Her play The Lift was performed in Singapore in 1991 and chosen for a brief reading at the 3rd International Women Playwrights럃onference in۠Adelaide, Australia. Ms. Heng has also translated plays from Mandarin.۠With Anuar Othman, she is a recipient of the Iowa Fellowship awarded by the Singapore National Arts Council. Her name is pronounced ۼ/span>/heng۠see YOK۠tee AHN/.

 

HWANG Jaewoo (poet, playwright, Korea; b. 1952, HaeNam) writes under the pen name Hwang JiWoo.۠He is professor and chair of the Department of Playwriting at the Korean National University of Arts.ޝ He led a new wave of deconstructionist poetry in the 1980s, which was part of the new 뱨etoric of resistance쟩n Korean literature. His subsequent work is described as۠embodying a native spirit, with its Korean Zen Buddhist traditions interwoven with paradox, vitality and wit. He is the author of six poetry collections, among them Even the Birds Leave the Land (1983), A Lotus in the Crab챠Eye (199), I쫬 Sit Alone in a Darkened Pub (1998); four plays, including A Diary on the Fat Sofa (staged in 1994), Thirty Days in Prison, staged in 1999), and Bride May (2000). Hwang Jaewoo studied aesthetics and art history at Seoul National University. His education was interrupted by a forced enlistment in the army following his imprisonment for student activism against the military dictatorship.۠His work has received numerous national awards, including the Contemporary Literature Prize of 1991 and the DaeSan Foundation Prize in 1999.۠He is participating in the IWP through joint support from the Korean Culture and Arts Foundation and the University of Iowa. His name is pronounced ۼ/span>/hwang jee woo/.

 

Ogaga IFOWODO (poet, Nigeria; b. 1966, Oleh, Edo State) is project director of the Civil Liberties Organization in Lagos and a legal practitioner. His publications include Home Land and Other Poems (Kraft Books, Ibadan), Selected Poems (published as a bilingual German-English edition), and numerous articles, including the Annual Human Rights Report of the Civil Liberties Organization.۠He was educated at the University of Benin and the Nigerian Law School.۠Mr. Ifowodo is a member of the Nigerian Bar Association and the Association of Nigerian Authors.۠He is taking part in the IWP through a grant from the U.S. Department of State.۠His name is pronounced۠/oh GAH gah ee FOH wo doh/.

 

Motti LERNER (playwright, screenwriter, Israel; b. 1949, Israel) teaches political playwriting to graduate students in the Theatre Department at Tel Aviv University,۠and dramatic writing at the Kibbutz College Drama School. He has been a freelance playwright and screenwriter for the major theaters and television channels in Israel۠since 1984.۠ He was the 1994 recipient of his nation챠most important literary award, the Prime Minister of Israel Award for Writers.۠His plays include Kastner, a political/historical drama, which received the Best Play of the Year award in 1985 and was produced in Germany; and Exile in Jerusalem , which was produced by the Royal National Theatre Studio in London, and featured Julie Harris in the title role at the Williamstown Theatre Festival in Massachusetts in 1994. His most recent۠works include The Murder of Isaac (1999), on the assassination of Yitzhak Rabin, and The Institution, an ongoing TV series dealing with the life of therapists and their patients.۠Mr. Lerner챠studies in mathematics and physics at the Hebrew University in Jerusalem were interrupted by service in the Israel Defense Forces; following the resumption of his mathematics studies, he studied theatre and attended various theatre workshops in London and San Francisco.۠He is attending the IWP through support from the U.S.-Israel Educational Foundation.۠His name is pronounced /MOH tee LEHR ner/.

 

Pascal Adyeeri MUGARRA (fiction writer, playwright, Uganda; b. 1957, Fort Portal) is head of the French department at the Kitante Hill School in Kampala, where he teaches English and French. He is a graduate of Makerere University, and studied at the University of Clermont Ferrand in France and at the CELAB of Bjumbura. His first novel, Cherished Dreams, was published by Macmillan (London), and he is at work on a second novel, Prominent Figures.۠Mr. Mugarra챠work is notable for its control of language, and its humor and instinct for dealing with social issues and mores in a manner appealing to Ugandans and other readers in the Great Lakes region.۠Two of his plays, written in French, have been performed in Uganda, Burundi, and France.۠His participation in the IWP is provided by the U.S. Department of State.۠His name is pronounced۠/ad yee EH ree۠ moo GAH rah/.

 

Anuar OTHMAN (fiction writer, Singapore; b. 1957, Singapore) is the author of two short story collections, Tekad (1984) and 1859 (1999), as well as a selection of short fiction, poetry and essays, Prisma Seni (1995). A fourth compilation of short fiction, Mendonan,۠is forthcoming this year, along with Mr. Othman챠first novel, Sam.۠He received Singapore챠Golden Point Award twice, winning first prize in 1997 for Hashimoto-san. ۼ/span>His work has also received recognition in Singapore챠National Short Story Writing Competition. His stories have been translated into Chinese and English and anthologized in those languages.۠He and Heng Siok Tian are appointed to the Iowa Fellowship of the National Arts Council of Singapore. His name is pronounced /AHN war۠AWT mahn/.

 

Zachariah RAPOLA (fiction writer, poet, South Africa, b. Alexandria Township) received his formal training in filmmaking, with three diplomas from a Johannesburg-based institution,۠ and a certificate from institutions in Franch as Denmark.۠His creative writing took shape in the 1980s under the mentorship of Prof. Ezekiel Phahlele, Nobel laureate Nadine Gordimer, and Lionel Abrahams.۠His short story collection Beginnings of a Dream۠is forthcoming; he recently completed a commission for a novella for young adults, based on a socio-developmental television series.۠His is also commissioned to adapt Alex La Guma챠듩me of the Butcherbird쟦or the screen.۠ He has written extensive reviews on films and books for South African journals.۠His other works unclude short features for local television and two documentaries produced in France and Denmark.۠His participation in the IWP was provided by the South Africa Council for the Arts.۠ His surname is pronounced /rah۠POH lah/.

 

Martin REJTMAN (fiction writer, screenwriter, film director, Argentina; b. 1961, Buenos Aires) is considered, at 39, is considered one of the most gifted young writers on the literary scene.۠His film, Silvia Prieto , which he wrote and directed, was entered in the Sundance Festival in 1999, as well as in festivals in Berlin, San Francisco and Munich. It has just been released commercially in Argentina to critical acclaim. His other feature length films, Rapado His fiction has been similarly well received, particularly Velcro y yo ۼ/span>(Velcro and I; 1996) and Rapado (1992).۠His other publications include A Book ABout Kuitca, Thirty-Four Short۠Stories (1993).۠The IWP has hoped for his participation for several years, and he is taking part in the program this year through a grant from the U.S. Department of State. His name is pronounced۠/mar TEEN۠REHT mun/.

 

Hulkuntemath Shivamurthy Shastry SHIVA PRAKASH (poet, playwright, India; b. 1954, Bangalore) is the author of four books of poems in Kannada; eight plays which were staged and published; two books on literary and theatre criticism, and two books of poetry translations.۠ H.S. Shiva Prakash has taught English in several colleges in Karnataka, and is currently English editor for Indian Literature۠at the Sahitya Akademi in New Delhi. His poetry, plays, and translations have received awards from the Karnataka Sahitya Academy, and the productions of several of his plays have received national recogntion in India. Prof. Shiva Prakash has been actively involved in workshops for young playwrights and poetry translation, and his lectures on Indian theatre have brought him to Berlin, Cambridge, and the Nehru Centre in London. His most recent works include the play 뒨akespeare챠Dream Ship,쟡nthologized in Same-Sex Love in India۠(St. Martin챠 Press, 2000). He earned the Ph.D. from Bangalore University in 1998. His participation in the IWP is supported by the University of Iowa. His name is pronounced۠/hool KOON te maht۠shee vah MOOR tee۠SHAHS tree۠ SHEE vah prah KAHSH/.

 

Piotr SLIWINSKI (poet, essayist, literary historian, Poland; b. 1962, Ostrow) is assistant professor of Polish philology at Adam Mickiewicz University in Poznan, and a literary critic and commentator for the most prestigious Polish cultural magazines. He also provides regular commentary over the Polish national radio and television.۠Mr. Sliwinski was a founder and editor-in-chief of the literary monthly Format.ޝ He has written numerous essays and monographs on Polish contemporary literature; his critical collections include the books ۼ/span>Tadeusz Dolega Mostowicz (1994) and Counterpoint: Talks on Books (1999); in process of publication is a book co-authored by Agata Legezynska, Polish Poetry After 1968.۠He edited Reading Zbigniew Herbert (1995) and Boredom in Culture (1999).۠He has taken part in many conferences in Europe; this is his first visit to the United States.۠He holds the MA in Polish literature and has taken doctoral studies in sociology; he is currently interested in the sociology of literature, particularly the relationship between literature and the Internet. His name is pronounced slee VIN skee/.

 

Nu Nu YEE (novelist, Burma; b. 1957, Innwa) made her literary debut with the short story A Little Sarong in 1984, and has gone on to write over a dozen novels and four collections of short fiction and long short stories.۠ Her first novel A Timid 떨at Can I Do for You캯i> is a study of market vendors in Upper Burma and her subsequent works have explored the lives of women, children, and urban and industrial workers in Myanmar.۠Her 1993 novel Emerald Green Blue Kamayut, depicting the urban poor, received Myanmar챠National Literary Award.۠Her work has been put to the service of her country챠most pressing societal needs; a play she wrote for the nongovernmental Population Service Centre in 1996 popularizes the use of iodine salt for goiter problems.۠Ms. Yee conducts lecture tours all over Myanmar. Her works have been translated into Japanese and English.۠She holds BS from the University of Mandalay and a diploma in librarianship from the University of Yangon.۠She is taking part in the IWP through a grant from the Burma Project of the Open Society Institute.۠She writes under the name Nu Nu Yiy Inwa. Her name is pronounced /noo noo yee/.

 

۠
This report was written by Rowena Torrevillas.Portions of the report were provided by Shelley Berc and Peter Nazareth.Lists of field trips and receptions were collated by Jim Sidel.The group photograph was taken by Lloyd Bender of University Photographic Services.For more information about the International Writing Program,write to:the Coordinator, International Writing Program,The University of Iowa,470 English-Philosophy Building,Iowa City, Iowa 42242-1408or call(319)335-3856.Our fax number is 319-335-3843.Visit our website at http://www.uiowa.edu/~iwp.

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