Disability in African Fiction

Session Coordinator: Olabisi Gwamna

Division of Language and Literature

Iowa Wesleyan College, Mount Pleasant, IA 52641

ogwamna@iwc.edu

 

 

“Ability in Disability: J.M. Coetzee’s Fiction and the Empowerment of the Disabled.”

 

J.M. Coetzee’s works assume the dignity and central position of the disabled in the universe. In the Heart of the Country, Waiting for the Barbarian, Life and Times of K and  Foe, are read as postmodern allegories, closely tied to the South African context, a milieu that was handicapped and disabled during the dismantled apartheid. The texts also transform the urgent societal concerns into more universal universal troubles, making disability in Coetzee a signifier of the decadence and disillusionment in Africa, a continent that is literally disabled. The trope of disability is used as a metaphor to signify black people’s struggle to discover their true identity.  Each of the characters in the four texts attempts to reinscribe the figure of the Other black man commonly employed to validate the Afrikaner myth. Through his disabled characters, Coetzee seemingly suggests that the black peoples can break out of the racial and social hierarchies on which traditional Afrikaner identity is based. On a larger political and social, Coetzee insinuates that for political stability and economic independence to be a reality in Africa, the continent’s disabled must be involved. To Coetzee, the empowerment of the disabled in Africa is an index of the empowerment of the continent.

 

 

Ayo Kehinde

University of Ibadan, Nigeria

Ayobamikehinde2000@yahoo.com

 

 

“Highs and Lows: Dis/Abilities and Agency in Tsitsi Dangarembga’s Nervous Conditions

 

The various effects of the colonial project on colonized individuals have been classified and evaluated by many scholars with perhaps the most notable being Frantz Fanon.   It is in Jean-Paul Sartre’s preface to Fanon’s work that the phrase “The condition of native is nervous condition” appears. Pluralizing Sartre’s “diagnosis” and affixing it to her novel, Dangarembga creates an apt title replete with rich layers of meaning and theoretical moorings to boot . The disabling effects of colonization reoccur in Tambu’s mother Mainini, in her Aunt Maiguru, and especially in Nyasha’s battle with anorexia throughout the novel.These women struggle to regain any sense of wholeness or stability and their lives, even the lives of women who have benefited most directly from contact with high culture, ultimately offer disappointment and discouragement.  Yet the story does not sadly end with utter destruction and all encompassing helplessness of the representatives of low culture. While the diseases of high cultured “Englishness,” of patriarchy and colonialism indeed affect Tambu, she manages to transcend or escape their debilitating grasp as she pursues an education and grows as an individual. In so doing, she alone embodies agency in the face of impotence; ability in the face of disability.     

 

Walter P. Collins

University of South Carolina

collinsw@gwm.sc.edu

 

 

 

“The ‘Chthonic Realm’: The Abiku Syndrome as a Metaphor of Failure in Soyinka.”

 

From the onset, there are different degrees of illnesses, and among the Yorubas of which  Soyinka is a member, illness is simply an indication that all is not well. It manifests itself in multiple ways: physical, spiritual, mental and metaphysical. The first three generally have causes, exhibit symptoms, and usually respond to a variety of treatments, aside from rituals. When it comes to the metaphysical illness, one enters a realm beyond the typical Yoruba worldview of the unborn, the dead and the living. Soyinka believes in a fourth realm “ …the area of transition.” (Conversations, 24). In an interview with Biodun Jeyifo, Wole Soyinka explains the concept of the “chthonic realm” or “transitional gulf” as that space between humans and spirits which Ogun the god of Iron bridges in Yoruba mythology, and is “inhabited by those whom the Yoruba regard as unfinished, imperfect beings, because they exist halfway between states.” (Conversations, 22).  This willful crisscrossing from and to the world of the living and dead captures the essence of this paper which looks at the abiku as a metaphor of failure, and general unfulfilled existence. Like the abiku, Nigeria is an ongoing process. It is unfinished, may never be finished, because it does not seem to be interested in being finished (apologies to Beckett’s Endgame!) Soyinka’s abikus are symptomatic of a political entity that is in need of some degree of normalcy, yet resists any attempt by the best its land has to offer in restoring it to order.

 

Bitrus P. Gwamna

Iowa Wesleyan College

bgwamna@iwc.edu

 

 

“Combating Stereotypes: Examining Disabled Characters in African American Children’s Literature.”

 

Disabled characters began to appear more regularly in children’s books after 1985. However, the literature that portrays children with disabilities, particularly African Americans, tends to offer stereotypical depictions where the disabled characters are treated as victims and focus on the miracle cure as a plot device.  The majority of books written by African Americans, and featuring African American characters with disabilities were written for children between the ages of 7 and 14. Because of the complexity and variety of disabilities that exist, introducing the topic through images allows children to understand that people with disabilities are among the many groups of individuals who make up their community. Some African American children’s literature reflects the negative stereotypes that are ascribed to individuals with disabilities through the use of implausible, one-dimensional characters that are expected to perform acts of heroism to gain acceptance. The critical use of these and similar texts in educational curriculum is a key step in combating stereotypes about African Americans with disabilities.   Of the broad range of disabilities that affect the African American community, the most widely discussed topics in children literature are visual impairments, physical disabilities, and diseases. Sharon Bell Mathis’ 1990 novel Listen for the Fig Tree, Project Wheels by Jacqueline Turner Banks, and W. Christopher Cason’s Even Ground will be the focus of an exploratory discussion regarding the treatment of disabilities in African American children’s literature.

 

 

Elizabeth Byers

Independent Scholar

ebyers@iwc.edu