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cobalt blue glass |
Dark blue colored glass. Cobalt was added to silicate
recipe for desired color. |
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earthenware |
A vessel with a soft, somewhat porous paste. In general,
it is permeable by water, unless it has some sort of glaze or slip. |
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ironstone |
Usually white pasted earthenware, more vitreous and
harder than whiteware. Later ironstone is thicker and 'chunkier'
than whiteware. Also known as white granite ware, stone china, and
hotel ware. |
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lead glass |
An early type of glass made with lead oxide and resulted
in clear or white appearance. |
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lead glaze |
Often a clear or light greenish glaze used on redware
or pearlware vessels; sometimes speckled with dark unmelted lead
crystals. |
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mocha |
Painted design often a black or brown branching tree
or fern on a colored slipped background. Also includes other designs
commonly known as "cats eye," or "balloon." |
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old blue |
Early transfer print design characterized by very
dark, dense, even-hued blue coloration. |
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pearlware |
A late 18th century attempt to make white pasted ceramics.
Virtually all pearlware was decorated in some form, either in under
glazed enameling, transfer printing, edge decoration, or annular
banding. Pearlware was replaced on the market by less expensive
and harder whitewares by the 1830s. |
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pontil scar |
A circular scar left on the base of the bottle from
a glass, graphite, or iron rod used during the shaping of vessel. |
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porcelain |
True hard porcelain is a mixture of kaolin, flint,
and feldspar that is fired at an extremely high temperature, resulting
in a vitreous, glass-like, white to bluish white paste. Soft porcelain
is not as vitreous as hard porcelain. Hard porcelain is somewhat
translucent and soft is opaque. |
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redware |
Utilitarian earthenware with a red paste due to the
type of clay used and the low temperature required to vitrify. Hardness
can vary, but generally has one of the softest types of paste of
the earthenwares. Found on archaeological sites in Iowa that date
from the 1830s to 1890s. |
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shell-edge |
A raised, sometimes hand painted and often sculpted,
design around plate rims. |
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spatter/sponge ware |
Often mottled, colorful design applied with a sponge
or spattered on with a brush. May cover entire surface or frame
a designed area. |
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stoneware |
A utilitarian vessel that has a hard, but grainy,
and generally less refined paste than earthenware. Often salt glazed
or coated with a brown or buff slip, but should be vitrified enough
to be waterproof without additional surface treatments. |
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transfer print |
Decorative technique commonly used on earthenwares.
Early transfer prints were paper impressions on glazed vessel surfaces
made from inked copperplate engravings. Later transfer prints were
placed on bisque vessels, glazed, and then fired or re-fired. |
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whiteware |
Very common white to off white pasted earthenware,
more durable than earlier pearlware or creamware. Mass production
began in the 1820s and continues today. |
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yellowware |
Unrefined earthenware with a paste that may be any
shade of yellow or drab yellow. |