THE OBERMANN CENTER PRESENTS A MINI-SEMINAR, NOVEMBER 1-2, 2004.
LANGUAGE, ART, PROGRAMMING AND NETWORKS: THE RELATIONSHIP OF NEW MEDIA LITERATURE TO "LITERATURE"

 

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resources [in the order received]

 

[from Joseph Tabbi]

' "The Processual Page," at the NMEDIAC site, will soon be superseded by developments at ebr, but for now it's the most complete presentation of my thoughts on the materiality of literary writing in the current Web environment:' http://www.nmediac.net/fall2003/


'After this, I would ask that our colleagues read Joseph McElroy's new essay excerpt at ebr, from a book-length project called Water Writing. The excerpt is live now at the top o' the ebr weave, however I am holding off announcing it, and I would ask everyone to hold off reading, until we've made the switchover to the new database, ebr 4.0, next month. Then we'll be able to observe, ON McElroy's page - and all other Critical Ecologies pages among which McElroy's is gathered - some of the hypertextual features that I was not finding on the Web, when I wrote the Page essay.'
http://www.electronicbookreview.com

 

[from Mark Hansen]

Suggests his essay from Critical Inquiry "The Time of Affect, or Bearing Witness to Life" (30:
Spring 2004: 584-626.

Bernard Stiegler: "The Time of Cinema" (in a journal called Teknehma) and "The Discrete Image" in the volume
'Echographies' (with J. Derrida).

 

[from Thom Swiss]

Electronic Literature Organization (ELO) [http://www.eliterature.org/]

Resource Center for Cyberculture Studies [http://www.com.washington.edu/rccs/default.asp]

The Iowa Review Web [http://www.uiowa.edu/~iareview/mainpages/tirwebhome.htm]

' Word and Image in New Media Literature: Sites for Thinking about "Polymedia"' by Thomas Swiss, Laren Leland, and Kelly Mclaughlin for trAce [http://trace.ntu.ac.uk/Review/index.cfm?article=118]

"Digital Gestures" by Carrie Noland. Click to download as a .doc | as a .pdf

 

[from Kate Armstrong]

"Data and Narrative: Location Aware Fiction" by Kate Armstrong [http://trace.ntu.ac.uk/Opinion/index.cfm?article=83]

 

[from Dee Morris]

Darren Wershler-Henry's Commonspace: Beyond Virtual Community

Critical Art Ensemble. The Electronic Disturbance. Brooklyn: Autonomedia, 1994. [can be downloaded as pdf files from the following site]
http://www.critical-art.net/books/ted/

 

[from Brian Stefans]

Bruce Naumann book

Hacktevism [interview with Brian Stefans]
http://www.uiowa.edu/~iareview/tirweb/feature/stefans/index.html#

On /UBU [interview with Brian Stefans]
http://brooklynrail.org/books/sept04/stefans.html

Review of Tan Lin's BlipSoak01
http://bostonreview.net/BR29.5/stefans.html

Review of Christian Bok's Eunoia
http://bostonreview.net/BR27.3/stefans.html

 

[from Kelly McLaughlin}

rhizome.org [http://rhizome.org] - This is one of the resources mentioned in the TrAce article that Thom cited above, but I think it deserves its own entry.

Topological Media Lab [http://www.gvu.gatech.edu/people/sha.xinwei/topologicalmedia/projects.html]

 

[from Laren Leland]

CRUMB
http://www.newmedia.sunderland.ac.uk/crumb/phase3/index.htm

 

[from Ben Basan]

Ben would like us to think about the sonic aspect of online media.

Sound links through the Electronic Poetry Center:
http://epc.buffalo.edu/sound/

Charles Amirkhanian's project RadioOM:
http://www.archive.org/audio/collection.php?collection=other_minds

Sonic Arts Network:
http://www.sonicartsnetwork.org/

Hans Reichel. Although this is now almost a commercial site (changed from
the wild interactive story he had there a few years ago), it's still worth
looking at the mix of digital technology and music/sound. Daxophone?
http://www.daxo.de

 
 

Sponsored by The Obermann Center for Advanced Studies
& the Project On the Rhetoric Of Inquiry
Contact: poroi@uiowa.edu
Last update: 9.22.04

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