"The Benefits of Forcing It," Horn Call, October 2009, XL:1, p. 96-98.
“Voices… on Creativity in Horn Playing,” Horn Call, October 2007, XXXVIII:1, p. 97-98.
“Re-creating Re-creation,” Horn Call, May 2007, XXXVII:3, p. 57-58.
“Improvised Duets as Collaborative Learning,” Horn Call, February 2007, XXXVII:2, p. 75-76.
“Whacks on the Side of the Head for the Creative Hornist,” Horn Call, October 2006, XXXVII:1, p. 77-78.
“Composing for Performers,” Horn Call, May 2006, XXXVI:3, p. 69-70.
“Personal Etudes,” Horn Call, February 2006, XXXVI:2, p.
“Classical Garage Bands,” Horn Call, October 2005, XXXVI:1, p. 95-96.
“Ground Hog Day and the D.A.,” Horn Call, May 2005, XXXV:3, p. 95-96.
“Alpine Warm-Ups,” Horn Call, May 2005, XXXV:3, p. 60-61.
“Being Columbus,” Horn Call, February 2005, XXXV:2, p. 37-38.
“But I’m Not Beethoven!” Horn Call, October 2004, XXXV:1, p. 46-47.
“The Creative Habit,” Horn Call, May 2004, XXXIV:3, p. 40.
“Creative Hornist of the Year,” Horn Call, October 2003, XXXIV:1 p. 96-99.
“Beware of Philip Farkas,” Horn Call, May 2003, XXXIII:3, p. 79-80.
“Blueprint for Success,” Horn Call, February 2003, XXXIII:2, p. 73-74.
“Report on the Corno Pazzo Contest,” Horn Call, October 2002, XXXIII:1, p. 57.
“Do You Ever Play Your Horn?,” Horn Call, May 2002, XXXII:3, p. 65-66.
“Often It Is the Horn Player,” Horn Call, November 2001, XXXII:1, p. 67-69.